#2484 - David Cross

4/16/2026143 mincomplete
0:03the joe rogan experience train by day joe rogan podcast by night all day david
0:13joseph good to see you good to see you i haven't seen you in a
0:16long fucking time when was the last time we were actually in a room together
0:19i well i was trying to think of that i don't know i would imagine
0:23post news radio we hung out at some point at some show somewhere somewhere but
0:30i don't know but i do remember uh because i did news radio a couple
0:35times and we we hung out i remember i think we both no just you
0:42had more hair than uh i was probably already at this point i was fighting
0:47to keep it i was hanging on are you do you shave or is that
0:50it is that oh it's i mean i'm bald if i didn't shave i'd be
0:54bald all the way up here but i got a hair transplant and it was
0:58useless yeah i i did a joke about it i go having a hair transplant
1:03is like taking people that are healthy and moving them into a neighborhood where everyone's
1:07dying this is just like where did bob go he just fucking flew off the
1:12face of the earth so uh yeah you'd say you just accepted it yes fuck
1:17it yeah i should have done it a long time ago it's so much better
1:20and i don't have to talk to a barber i don't have to listen to
1:23boring fucking stories while they hold you hostage with a pair of scissors that's what
1:27that's what this is uh this gets me i i don't like shaving i don't
1:33it's kind of a pain in the ass and i also i look like a
1:37kind of a turtle i look like a turtle you know when i shave i
1:41don't like it um and it's not attractive to me and i jerk off to
1:47me all the time so i want to keep things fresh uh but uh i
1:54this i probably don't have to i could probably get clippers and stuff but i
1:57go to you know one of my guys around the corner where i live and
2:01uh and i i have this experience where i'm i want that i want to
2:08get in and out right because of what you were saying a lot of chit
2:11chat and there are a couple guys very quiet hi how you doing good fist
2:16bump whatever you get you know what i want to get get out of there
2:20there's one guy who just talks all and and then they have that um the
2:28blade you know the the what do you call that you know the blade blade
2:34straight razor thank you and um and they got it right there so you got
2:38to be polite it's on your it's by your yeah you know and uh i
2:45know i could avoid it if i just get some clippers and just do this
2:49thing but i don't i don't know i was boring and sorry there's no point
2:56to it barely has anything to do with what we were talking about i there's
3:01something about a beard though that makes you distinguished or at least have experience or
3:06or look like a homeless you know uh alcoholic i mean there are plenty of
3:12those guys too yeah there's a lot of those too but a beard is like
3:17there's some there's a there's a statement with a beard like a full beard like
3:21yours white mine is just you know i don't like shaving like you know and
3:27again i i i do like i only gain weight in two places stomach and
3:35right here and if and and also i have a kind of a thin frame
3:38so it's it's really not attractive it's not attractive so the beard sort of it's
3:47it's more laziness it's uh i don't have to worry about it yeah no i
3:51i hear you and this you know i just i go i don't know six
3:56seven weeks and then i just shave it once it gets out because this my
3:59hair doesn't grow down or it just grows out like a clown you know it
4:04goes this way all of it even this too and uh and once this starts
4:10filling in it it just looks goofy yeah i have a friend my friend asan
4:16he used to shave his head and now purposely to look goofy he lets the
4:21sides go out and it's madness it's just it's all fucking crazy thick hair and
4:27bald on top and bald on top yeah yeah and he does a joke on
4:30stage about it it doesn't it doesn't praise indian this is my impression of an
4:34indian pussy well and is he just like not concerned about getting laid or yeah
4:42i think he's just embracing but he still gets laid you know because he's really
4:46he's really funny i think he just embraces not giving a fuck there he is
4:52oh he looks familiar to me okay very funny guy all right cool he's uh
4:57one of the up and comer well he's from la originally he was one of
5:01the doormen at the comedy store okay he looks very professorial he's very smart yeah
5:06yeah but uh doesn't give a fuck about his hair who's that art bell i
5:12was gonna guess art bell i swear to god yeah i swear to god i
5:16don't even know if i've ever seen him yeah coast to coast yes yes from
5:21the kingdom of nye wow i fucking love that show that was the show that
5:26i listened to coming home from hollywood because i lived out in the valley and
5:29i would drive home at night and i'd listen to late night with art bell
5:32it's the best coast with art bell i used to do a whole bit about
5:37uh the like um because who's the new guy george nori george nori right and
5:45i'm gonna uh digress for one second did you ever uh do you play video
5:49games at all yes well i try not to um but i used to play
5:53a lot of them did you ever play prey no but i know what it
5:56is a great underrated underrated underrated game got ripped off uh or just people bit
6:03certain things that they um started but one of the coolest things so it's about
6:08like this uh it takes place on a uh uh reservation uh you know uh
6:15in the 90s i guess or something like that and there's a bartender and her
6:19boyfriend and and it takes place in this bar and then aliens come and then
6:27this guy goes on the alien ship to uh go rescue her but um they
6:34did this really cool thing so first they have this in the video game right
6:38at the bar there's a tv and as you walk towards it it's playing it's
6:44like staticky until you get closer to it and then as your character gets closer
6:48to it it's art bell talking about aliens and stuff and i know i know
6:55i'm not doing it justice but it was such a cool smart idea and uh
6:59god bless him he was the og yeah and and just some of the guy
7:06i one thing that because i listen to it a lot too because sometimes you
7:13know you're listening and you're like this is insane this is crazy and he would
7:19always always treat the guest with deference you know respect and i i that must
7:26have been because there were things that were you know if you go back to
7:31all the episodes that were kind of contradictory in a sense you know like wait
7:36you think all these things happen you think there's a uh a place in the
7:40middle of the ocean that has like it's a community of people that live there
7:45and and and and then but you also think this like all these different things
7:51it'd be like hmm huh interesting yeah he would let you go he'd let you
7:56go yeah he'd give it some air uh but he was yeah he was never
7:59rude or no never you call him up he had a time traveler line where
8:05you would call specifically if you were a time traveler what if but if you
8:13were calling from the past they didn't have that technology yet no it's mostly people
8:18from the future i believe wait like art i'm calling from seven minutes in the
8:23future listen i think his his whole deal was if you are here in this
8:28current era but you are from another time you could call because you know the
8:33idea was like he would have these remote viewers and oddballs on and they would
8:39talk about that we we have had the ability to time travel for a long
8:42time oh yeah you know there are wormholes that exists and they explain the quantum
8:47dynamics involved and time travel has been breached by the cia in the 1960s yes
8:52and uh you'd have these people call up but art would always like give them
8:56air like let them breathe let it breathe yeah yeah art i'm a werewolf interesting
9:01tell me more like it didn't matter no matter what it was it was a
9:05fun show yeah i loved it craziest people from fucking bigfoot people to alien people
9:11everything and and then a lot of people uh ex -military right you know get
9:16that like whistleblowers um i was uh stationed and uh yeah you know outside of
9:23uh a remote island that uh i can't go into uh from singapore and uh
9:28i witnessed some things are that i still have difficulty believing and uh and then
9:35he yeah what happened it was great yeah it's so fun and and you so
9:39did you also listen to phil henry yes oh god he was the best super
9:44genius the best thing about phil henry was the people that didn't understand what was
9:48going on they would call in and be really upset the first the first two
9:52times i heard him i didn't understand what he was doing he's he's that good
9:57too then i and i would be like this is crazy this guy and then
10:02eventually you're like oh he's doing characters uh yeah because he you know repeat characters
10:08and stuff but i i got the chance to watch him do a show so
10:14he's got he's he's got the he's got three mics i want to say uh
10:19like two mics like this and then a phone mic or you know a phone
10:24like a hand uh uh old time you know cradle phone and he was doing
10:31himself uh the care the woman who's uh runs the uh hoa or whatever that
10:38uh whatever her name was that that character and then somebody else calling in like
10:45he did somebody calling on the phone and it was uh i mean it was
10:49like a magic act it was crazy to watch how without missing a beat and
10:54i could see uh you could see how he strategically takes breaths so that he
11:03can go from one character to another and interrupting each other yeah you know it
11:07it was fascinating but he's a genius it's the only thing that caught i right
11:12away i was like oh wait a minute there's no cross talk like right well
11:15if one of the early times i listened i was like i think this is
11:18the same guy yeah well he's he bumps it up like he's really good yeah
11:24at uh almost you know making it sound as if like uh because he'll interrupt
11:31himself and go and i okay but you know it's stop and then just go
11:35right into the other voice it's fucking phenomenal and and completely original like i don't
11:42know of anybody else did anything like that no did you ever um he used
11:47to put out stuff for charity like uh cds and things and he has uh
11:52i don't know uh i don't know what it would be called but it was
11:56one of the one of the things he put out for charity that was um
12:00a guy called into the station i think he's probably super high but he called
12:06in thinking it was pizza hut and he fucks with this guy in the best
12:14way where he's like uh and who's the what's the woman character he does it's
12:19kind of like uh like a black woman who's like honey it is the best
12:23i don't know Marjorie, I think, maybe.
12:27But then he does that woman answering the phone at Pizza Hut.
12:36And then he does the automated thing.
12:40She's like, I'm going to put you on.
12:42It's easier to do the automated thing.
12:45And the guy's like, OK, all right.
12:48And and then he gets out.
12:49He's like, thank you for calling Pizza Hut the best pizza in a three block
12:55radius. And if you want, if you want, I'm not doing it justice.
13:01You've got to go do it.
13:02Hear it. Listen. Can you?
13:04Yeah. You got it? All right.
13:07Headphones. OK, it's so brilliant.
13:09Wait, whatever the large. Yes.
13:15Or it's extra deep. Just a regular large 16th thick crust on a deep dish.
13:21You want puffed dish? No.
13:23You want any of them puffy cheese balls, anything like that.
13:26We got a special on Buffalo Wing.
13:28We got a special on.
13:31Damn, I forgot the other thing.
13:33We got a special on something.
13:35All right. What do you want?
13:37What kind of cheese you want?
13:38Blue, Swiss, cheddar, Munster. OK, I think I'm going to have the wrong location here.
13:45All right. Hold on. And he's subbed.
13:49Thank you for calling Pizza Hut.
13:50Your call is being transferred.
13:52Please have all credit card information available for our operators.
13:57Yes, Pizza Hut. Hello. Hi.
13:59Yes. Hi. Hi. Which location are you at?
14:01We are at the corner of La Fienega and Venice.
14:05OK. I'd like to place an order for delivery.
14:08All right. Can I put you on hold?
14:09We'll put you through our automated system.
14:10Hold on, please. Thank you for calling Pizza Hut.
14:15If you'd like cheese pizza, press one.
14:17If you'd like a meatball pizza, press two.
14:21If you'd like sausage, press three.
14:28Press two. Oh, it goes on and on and on and on.
14:35He goes, he eventually gets the guy a fish pizza.
14:38And the guy's like, no, man, this, I don't want, but it's, it's really funny.
14:44But that's him. That's Phil doing all those voices.
14:46And that's not set up.
14:48A guy had called into the studio thinking it was pizza.
14:51And they're like, take this call.
14:52Did you ever meet him?
14:53I did briefly at, uh, when I got to see him do his, he did
14:57a live show at, uh, Aspen Comedy Festival.
15:00Oh. Long, long, long time ago.
15:02I did something with him, Bob Odenkirk and Doug Stanhope.
15:07Oh, wow. And, and, and Adam Carolla.
15:09I don't remember where it was.
15:11I want to say it was somewhere in Canada, but it was some sit down.
15:16We were talking about the process of going through, because he was in the middle
15:20of doing some sort of a television show pilot.
15:23Yeah, yeah. So we were talking about the process of creating a pilot and what
15:28it's like trying to get a pilot to an actual finished television show and get
15:31it approved and what the struggles are.
15:33It was very interesting. I don't think it was for, it was, it was like
15:38one of those Montreal comedy festival things.
15:40Yeah, yeah, yeah, yeah. You know, where they had some, it was like some weird
15:43talk. It was a long time ago.
15:44It was like, God, it had been like 2001 or something like that.
15:48Yeah, I vaguely remember when he was, uh, there was going to be, because he
15:51would talk about it doing this, uh, sitcom.
15:54Yeah, did it ever happen?
15:56I don't think so, no.
15:57He was a really nice guy though.
15:58Not what I expected at all.
16:00I expected him to be fucking insane.
16:02Just like, just to be able to do that every night and not get bored
16:06with just completely fucking with people every day.
16:10It's, it's gotta be exhausting too.
16:14Like mentally, cause you're, you've gotta remember, it's like, like really great improv guys where
16:20you have to remember all these details, bring them back 30 minutes later.
16:25Right? And you're, you're doing multiple characters.
16:28You ever see TJ and Dave?
16:29No. Oh dude, the best.
16:31Yeah, what is it? It's TJ, uh, Jadagowski and Dave Pasquese who were like the
16:38kings of that stuff in, uh, out of Chicago.
16:44And they come, they tour around, uh, and they're just, they're two guys who, uh,
16:50it starts off, you know, it's none of its plan, none of its, uh, and
16:54they have like a dedicated cult following.
16:56When they're in New York, it sells out like that.
16:58And you got to go to, uh, at least two shows to see how wildly
17:03different it is. I mean, there are two guys that come out on stage.
17:06Usually it was like three chairs and it'll just start with like, uh, you know,
17:12how's it going? Good, good, good.
17:16Are you in line? No, no, no.
17:18And it, and that you watch it like, oh, they're in line.
17:22Where are they in line at?
17:23Do they know each other?
17:24And, and then it's, it turns out they're at the DMV, but they're not, it's
17:29like a room outside of the DMV.
17:30And then they will leave and come back and be somebody else, right?
17:34A kid that was mentioned or a wife or something, um, or be in a
17:38car. And, and, and it all wraps up.
17:42It's all a big story.
17:43And, and I have seen, I've probably seen them 30, 40 times.
17:48And I've seen, uh, shows where, that were more, that were funny or more poignant
17:56than some plays that have been worked on for years, you know?
17:59And it's better. And it's completely improvised?
18:01Completely, 100%. Wow. Oh, they're, they're, I mean, I, uh, do you know Tim Meadows?
18:08Yeah. So Tim was a guest.
18:11Sometimes I'll have a third person.
18:12I know who he is.
18:13I don't, I don't, I met him.
18:14Yeah. So, uh, I was, and Tim's been, you know, uh.
18:18SNL? Yeah, and ensconced in that second city, uh, uh, world for decades.
18:24And he said it was the most terrifying thing he's ever done because you're, they're
18:29like genius level, I mean, the, the detail you have to remember.
18:35And then, and then, on top of it, if...
18:39One of them is, you know, I'm a marine biologist or whatever.
18:43It slips out. Then that person has to know about the real person playing the
18:48fake marine biologist has to know enough about marine biology to keep the thing going,
18:53you know, and it's just next level.
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20:03Well, I'd imagine that's like a muscle that you just get really strong with, like
20:10ranters. Like Tim Dillon is the best at ranting on a podcast alone.
20:16He doesn't have anybody with him.
20:19Most of his podcasts are just him ranting.
20:22And I've watched the development of it.
20:24I'm like, that's an amazing muscle to develop because you just get accustomed to that
20:29kind of scenario, that situation, where it's just in your mind just gets used to
20:34producing content. And like old school AM, late night radio guys who don't have people
20:42calling in who are like talking about whatever.
20:45And they got to do it, you know, four or five times a week for
20:49three hours by themselves. Yeah, I used to always like to listen to them.
20:53I used to like to listen to those crazy right wing, angry political talk shows
20:57because I didn't know anybody like that.
20:59So I was like, what is this guy doing?
21:05Well, that was the bulk of the radio.
21:08I mean, that's why, you know, you have like Art Bell and Phil Hendry, like
21:11a nice, like, oh, okay.
21:13Because I got all this.
21:14I got Mark Levin and I got, you know, what's his name?
21:20You know, Rush Limbaugh. Rush Limbaugh, yeah.
21:22And when you first start listening, or when I first started listening, and I came
21:29out to LA from Boston, you know, and people were like, there's this guy out
21:33here who's fucking nuts, you know.
21:35And I'd never heard of him in Boston.
21:39And then, and you're like, does he, how much of this stuff does he believe?
21:44Does he really believe? And how much has he come to believe?
21:49Does that make sense? Yeah.
21:51Yeah. And, and those guys, that was a whole fascinating thing.
21:55And Wally George. Do you remember Wally George?
21:57I do, but I don't remember much about him.
21:59I remember the name. What did Wally George do?
22:00He was the guy who originated what, I mean, now it's really familiar.
22:07He, remember Morton Downey Jr.?
22:08He was a little after Wally George.
22:10Oh, that's right. That's right.
22:11And he would, look, 83, and he was, and it was a super low budget,
22:20like cable access type thing, back when that was a whole thing.
22:24And he'd get, the audience would be hooting and hollering and he'd have people on
22:29like somebody who, and sometimes they, I think because it became popular, sort of like
22:36with Morton Downey Jr. where people came on to quote unquote fuck with Wally George.
22:41Like I'm going to pretend to be a, you know, a furry and I'm going
22:47to, you know, have gauges and, and you know what I mean?
22:49Like just the archetype of the thing they want to yell at.
22:52And, and I think people started, it was, there were some bullshit people on there,
22:58you know, people lying about who they were, but he'd have people on and then,
23:01and then kick them off.
23:03It would happen all the time.
23:04Like, come on, sit down.
23:06What the fuck do you think you're doing?
23:08And everybody would yell at the person.
23:10They'd start talking and like, get the fuck out of here.
23:12And that was, that was the show.
23:14We're like, you know, and here's something really crazy.
23:19Uh, and tell me if this is rumor, uh, look up at your magic computer,
23:26Rebecca DeMornay's dad, the actress.
23:30That's, yeah. Wally George? Yes.
23:33No. Yeah. Really? Look it up.
23:36Casey, right? Jamie. Jamie? I'm going to call you Casey.
23:41Who is, I forget who Rebecca DeMornay was.
23:45From, uh, Risky Business. Oh, wow.
23:51Wow, her dad? Yeah. Is Wally George.
23:55Wow. Isn't that crazy? Married multiple times.
23:57Shocker. Probably 10, potentially 10 times.
24:00Had at least six children.
24:01Holy shit, look at how many times he was married.
24:04One, two, three, four. Wow.
24:10Possibly 10. Possibly 10. Can you imagine, just keep fucking signing up?
24:16I don't, yeah. I just read, um, literally the, the other day, uh, Fleetwood Mac
24:21guy, getting married for the fifth time.
24:24He's 182. And he's getting, like, what?
24:29Stop. Yeah. Why do you want to keep doing that?
24:32They believe. They really believe this is it.
24:35This is the one. You have to say those vows and mean it each time.
24:41Or not. Yeah. Or just say, this is just a fun thing that I do.
24:45Yeah. To keep a lady happy.
24:47Yeah. Or just have a party, I guess.
24:50Yeah. Have a party and pretend that you're normal now.
24:53I don't know. I don't know.
24:53I don't know. And you're married?
24:54Yeah. Yeah. How long you been married?
24:5717 years. Oh, nice. Yeah.
24:59It'll be 14 in October.
25:01If I get divorced, that's a wrap.
25:05What do you mean? Like, I'm happy, happily married.
25:07I don't want to get divorced.
25:08Not saying that. But if I ever get divorced, I'm never.
25:10Oh, yeah, yeah, yeah. Oh, same here.
25:13Yeah. Oh, I feel the same.
25:14Silly. I'm not having any more children.
25:16So if I don't have any children, it makes no sense.
25:19Yeah. To legally be bound to some person.
25:22Can we just hang out?
25:23I am 100 % with you.
25:26And I was never an anti -marriage guy.
25:30But I just didn't think I'd get married because I didn't want to.
25:35And then eventually I met somebody who I wanted to marry.
25:38Yeah. It's like you just have to.
25:40It has to. I mean, that's the thing.
25:42It has to be the right person.
25:43Everybody always says that except Wally George.
25:45But the idea of doing it 10 times is fucking insane.
25:51Yeah. They're doing a different thing.
25:54I think once you get – I'll give you three.
25:58And let's say one of them was some fishy circumstances.
26:03I'll give you three. Once you get on your – by the time you're going
26:08to be on your fourth or fifth or sixth or Rupert Murdoch marriage, like, what
26:14is the point? And why does that woman believe you?
26:17What does it say about the lady?
26:19Well, what about ladies that do it?
26:20I've been here for six years and I know one lady while I've been here.
26:23She's been married twice. Married and divorced twice and now she's on the third guy.
26:27Yeah. I would look – I mean, that says something about the guys.
26:30Right? I guess. Or her.
26:33Yeah, man, come on. If you – you wouldn't ever think, like, you meet somebody,
26:39you like them, and then you find out they've been married twice before in six
26:45years. Right. Right. And you were, like, starting to fall for her.
26:52You wouldn't think, wait a minute.
26:54What's the deal? You would, unless she was hot.
26:57Men are dumb. Well – If she's hot and she's sexy and you really like
27:02being around her, you're like, who cares?
27:04She made mistakes. Yeah. Who cares?
27:07I guess you're right. If the sex is that good, too.
27:09Yeah, if the sex is good and she's hot and you love being around her
27:12and that's what she wants and you want to make her happy, you're like, okay.
27:16I'll say this. You should find out – you should go talk to the other
27:21guys and have a sit down and find out why, you know – The problem
27:27is some guys, they'll want to mess it up for you, so they'll lie.
27:31They might not be accurate.
27:34You know, they might paint a – also, they might have been the fuck up
27:38and they want to blame it on her and then you'll get a distorted perception
27:41of who she is. But then, then it's back to her that she's marrying people
27:47who are fucked up. Just – I guess the point is that we're both making
27:52is don't get married, you know?
27:54Well, it is a weird thing.
27:56It's a weird thing to do – do you have children?
27:58I do. Yeah, it's a weird thing to do if you don't have children.
28:01Not weird like you shouldn't do it, but it's a different thing.
28:04Yeah, completely. And I would say that – not that we – you know, my
28:14wife and I have any, you know, real issues, but I would behave myself and
28:24stay and work at the marriage because of the kid.
28:28Oh, absolutely. Yeah. Yeah, absolutely.
28:31It fucks kids up when people get divorced.
28:34What's your background? My parents were split up when I was five and my mother
28:39remarried when I was seven and has been with my stepdad ever since.
28:43Oh, that's good. Yeah. They have a great relationship.
28:46I just saw them this weekend.
28:47And where did you grow up?
28:49Fucking everywhere. I was born in New Jersey, moved to San Francisco when I was
28:54seven, lived in San Francisco from seven to 11 in the height of the Vietnam
28:59War in Haight -Ashbury, like hippie town.
29:02And then Florida from 11 to 13.
29:06That's the opposite of San Francisco.
29:08Oh, my God. Yeah. That's the first time I found out about the N -word.
29:11I didn't know what it meant.
29:12And I remember I had to ask my mom.
29:14No way. Yeah, I had to ask my mom.
29:15I never heard it in San Francisco.
29:16Never heard it. Wow. San Francisco in the 1970s when I was between seven and
29:2211 was kind of a wild, amazing time.
29:26It was really weird. It was because we were in the middle of like the
29:30counterculture movement. Yeah, yeah. Berkeley, all that stuff.
29:33Uh -huh. Yeah. We lived right down the street from Lombard Street.
29:37So we're, you know, we were like in the middle of it all, you know.
29:41And it's funny because it was during that time that the Vietnam War ended.
29:47When I was, I think I was, when did Vietnam end?
29:5274? I think 74. Officially April 30th, 75.
30:01Okay. U .S. withdrawal 73.
30:03So that was like, how old was I?
30:06Whatever. The point is like at that time I remember thinking, thank God they figured
30:10out war's bad. We're never going to do this again.
30:13I literally had that thought, however old I was.
30:16What a naive child. Oh, I was like, whew.
30:19Because my stepfather had, he didn't get drafted.
30:23He got lucky. He just didn't get picked.
30:26And I knew a guy, some guy that was a friend of the family that
30:31had moved to Canada. He's like, fuck this.
30:33He took off to Canada.
30:34So I was aware of that.
30:35Like, oh, people are leaving the country so that they don't have to go to
30:37war. Like this is, because if you're a little kid, everything's fucking scary.
30:41Especially if you come from, you know, a broken home.
30:44Yeah, and the concept of a draft or conscription, the idea like, oh, you may
30:49have to go and you're going to learn how to shoot a gun and then
30:54go shoot strangers, kids. You know, like that has got to be terrifying if you're
30:59a kid. No, it was insane.
31:00And there was also the time where, you know, my stepdad was a hippie and
31:06my parents were hippies. I was going to ask, why did your – sorry to
31:11interrupt, but why did they move around so much?
31:13My stepfather was a computer programmer initially, and then he wanted to become an architect.
31:18So he went to school in San Francisco and then University of Florida in Gainesville
31:25and then Boston Architectural Center.
31:27So we moved to Boston when I was 13.
31:30So that was what it was.
31:31It was him becoming an architect.
31:33Right. And so, like, they didn't like sports.
31:37They weren't into anything like that.
31:39And then when Muhammad Ali was opposing the Vietnam War, he became this, like, counterculture
31:45hero. Sure, yeah. And I remember it was my parents sat down and watched Muhammad
31:52Ali versus Leon Spinks because he was trying to win his title back.
31:57And they were rooting for Muhammad Ali.
32:00I'm like, this is crazy.
32:01Like, this guy's stance on the Vietnam War has made my parents fans of his
32:07to the point where they're going to watch boxing.
32:09Like, they never watched boxing.
32:10They didn't want to have anything to do with anything violent.
32:12They hated it. But they wanted to watch that.
32:16There was only one boxer to watch if you were anti, you know, hitting or
32:22boxing or whatever. It was Muhammad Ali.
32:24He was a strategist, you know?
32:26He was. But quite honestly, by that stage of his career, he had slowed down
32:32considerably. And he just wasn't.
32:34I remember the Leon Spinks.
32:37Because he. Leon beat him.
32:40And then he beat Leon in the rematch.
32:42Right. This is the rematch, right?
32:44And that was the big one.
32:45We were all glued to the TV.
32:47But I remember thinking, this is crazy.
32:48They're watching boxing because of this guy's position on the Vietnam War.
32:53Have you seen When We Were Kings?
32:55Yes. Yeah, it's great. It's amazing.
32:57Yeah. Yeah, it's amazing. Yeah, he was a, God, you want to talk about a
33:01unique human being? Like a one of one.
33:05Yeah. You know? Yeah. And, you know, outside of, you know, Mike Tyson, there was
33:13never any kind of figure like that in boxing, you know?
33:22I mean, there was minor.
33:23Sugar Ray Leonard. Sort of?
33:25A little bit, but not.
33:26Not to that extent. Because he wasn't a cultural figure.
33:29Right, right. Muhammad Ali represented something during the Civil Rights Movement.
33:33And he changed his name to Muhammad Ali.
33:36Right, right. That was a big thing, too.
33:37People were terrified of Muslims at the time.
33:40And still. I was going to say at the time.
33:43Yeah. But it was a different kind of Muslims.
33:47You know, that was... Well, they were, you know, the government was really good about
33:55portraying every black urban person as, like, potentially, you know, Muslim Brotherhood.
34:02Mm -hmm. Twelve Tribes. Right, right, right, right.
34:05Those guys. They're still around.
34:08The Israelite Twelve Tribe. Oh, those guys.
34:11Yeah. They used to be...
34:12They used to hang out and...
34:13Hang out. What a minute.
34:15They used to be in Times Square, like, you know, yelling and preaching.
34:20I hung out with those guys one day.
34:21I wrote a piece about it for my website.
34:24Because I went... I was going home.
34:27It was when I was living in New York.
34:28And I was walking down the street.
34:29And there's this guy standing there with, like, a microphone and a little speaker.
34:32Yeah. Yeah. And they would read things from the Bible.
34:34Yep. And they would translate it.
34:37And they had this very bizarre translation.
34:40Everybody was black. George Washington was black.
34:42Everyone was black. They were explaining to me, you know, the so -called Jew.
34:47They were black Israelites. Yeah.
34:49The so -called Jew was the thing that they always...
34:51Well, they're Jewish. Yeah. You don't have to say the so -called part.
34:54Yeah, it was very odd.
34:56But their whole thing was there was a 12th tribe of the Israelites that were
35:03black that have been, you know, written out of history.
35:09Mm -hmm. Yeah. That was their thing.
35:11Yeah. They also informed me that I'm not white.
35:13That was a relief. What?
35:16Because I'm Italian. They're like, oh, you ain't white.
35:19I was like, oh. Oh, it's like the...
35:21Great. Because they hated white people.
35:23So I was just talking to this because I was bored.
35:24You know, I was just...
35:25So I was talking to this guy.
35:26I was just having him explain everything to me.
35:29And he informed me, don't worry, man, you're not white.
35:32I was like, oh, okay, that's good.
35:33That's good to know. So you can hang out.
35:35I can hang out with you guys.
35:36You don't hate me. But it was very odd.
35:39Very odd. They were all dressed like superheroes.
35:42They all had these crazy, like, Avenger costumes on.
35:45Yeah. And, like, jewelry. Yeah.
35:48Like, big, chunky, chunky jewelry.
35:49Yeah, huge medallions around their neck.
35:51Yeah. Yeah. Very odd stuff.
35:54There's still... You don't see them like you used to, but they're still out there.
35:57Oh, yeah. Yeah. Yeah, they're out there.
35:59But I mean, like, in...
36:00Literally in New York, periphery of Times Square.
36:04Yeah. Last time I was in Philadelphia, I saw them.
36:07Yeah. They were out there on the street with the microphones.
36:09Yelling. The whole deal. Yeah.
36:11Yeah. It's an odd group.
36:14When were you in New York?
36:16I was in New York.
36:17I moved to New York in 91.
36:22Yeah. So, I started stand -up in 88 in Boston, and I got picked up
36:28by my manager, who I'm still with, when I was essentially an open -miker.
36:32Who was that? Jeff Sussman.
36:34How do I not know Jeff Sussman?
36:36He handles Kevin James. Was he a Boston guy?
36:40No, he was a New York guy.
36:41Oh, okay, okay. So, the story was, he had, what was his name, fucking, the
36:46guy who had all the crazy costumes, he was on the Rodney Dangerfield special, Bob,
36:51Bob Nelson. Bob Nelson, yeah.
36:54So, he handled Bob Nelson.
36:55The Cleveland Browns. Yeah. He put the helmet on, he had boxing gloves, he'd do
37:00Jiffy Jeff's gym, he had brain damage.
37:02He did a bunch of different characters.
37:04So, Bob, who is a big act, you know, he had an HBO special, the
37:08whole deal, at the time, he found Jesus.
37:12Oh. And, uh... Where was he?
37:14In his basement, I guess.
37:16Or something. Okay. It was around the neighborhood, somewhere.
37:18Okay. But, he, uh, had this guy...
37:22I, who is his prayer partner, that was going to take over as his manager.
37:26And so this was my manager's big client.
37:30So he's like, fuck, like, I gotta, I gotta go find some other comedians.
37:35So did, did, did he just stop doing stand -up?
37:38Because, I don't know, I think, I don't know if he still does stand -up.
37:43I don't know. I knew his career, my manager's really good, and he's very smart,
37:49and he did a great job guiding Bob, but I think sometimes when people, like,
37:54have, like, a big religious moment like that, like, maybe that becomes more of their
37:59life than, because he was all in.
38:02Yeah, yeah. He was all in with Christianity.
38:04And so my manager said, well, I kind of know most of the comics in
38:10New York. Let me see if I'm not missing people in Boston.
38:14And so he traveled to Boston with a friend of his, one of the guys
38:18that owned Governors, and they came - Well, Governors was Bob's room, wasn't it?
38:23Yes. Yeah. At a Long Island.
38:25One of the rooms that he worked at, yeah.
38:26And so they came down to Boston, and I just randomly went up one night
38:31at Duck Soup. Remember Duck Soup?
38:35Duck Soup. Duck Soup was, it became the improv after a while.
38:40It was - I don't remember that.
38:42Billy Downs and - Paul Barkley.
38:45Paul Barkley. I think it was actually Billy split, I think it was Paul's thing.
38:49Oh, they had split at that point?
38:50I think. I'm not sure about that.
38:52But what it was, it was Paul's idea, believe.
38:55It was a much more high -end room.
38:57Like, it was really nice.
38:59And it was right across from Nick's.
39:01So it was in the below area where the Wiltern is.
39:05Okay. So you know where the Wiltern is, which is now the big, you know,
39:08where Bill Blumenwright does comedy connection shows.
39:10Yeah, the Wilbur, right? Yeah.
39:12Is that it? The Wilbur.
39:14It's the Wil - Okay, I'm thinking the Wiltern's LA.
39:16The Wilbur. The Wilbur. But I know what you're talking about.
39:18The Wilbur. Right, you're right.
39:19So downstairs, the Wilbur, it was, you'd go down and it was a really nice
39:23room. Okay. And I was a limo driver at the time.
39:27I was driving limos and - Driving a limo in Boston?
39:31Oh, yeah, yeah, yeah. Jesus.
39:32Yeah, yeah. Oh, man. That's what I was doing for a job.
39:35That's fucking hard. I mean, I just mean the literal streets of Boston are tough
39:39to navigate with any vehicle, but a limo, add an extra half a car to
39:45it. Yeah. It wasn't that bad.
39:48It was mostly airport pickups.
39:50Yeah, yeah. You know, and a lot of it was town cars.
39:52You'd pick people up in town cars.
39:54But when you drive around a lot, that's when I would come up with my
39:57best ideas. And I had an idea for a joke and I called, God, I
40:02can't remember who the guy was.
40:04Fuck, I can't believe I'm blanking on his name.
40:07He was a really cool dude who was the manager of the club.
40:11And I could call him up and say, hey, can I get a guest spot?
40:14And he gave me a guest spot that night.
40:15I wasn't even supposed to be on the show.
40:17And my manager just happened to be in the room.
40:19And if I'd known he was in the room, I probably would have been nervous
40:21and I probably would have bombed.
40:23Yeah. And I had no idea he was there.
40:24Wow. And then he came up to me afterwards and gave me his card and
40:28he said, can I see you tomorrow?
40:29And I said, okay. And then I did it.
40:33He just meant for a ride to the airport.
40:36So I did a set at the Connection the next night and then he asked
40:40me to come to New York and audition there.
40:42And then next thing you know, I was living in New York.
40:44It was like three years later.
40:45Very cool. And then. Yeah, it was a crazy, crazy story.
40:49And when did you move out to L .A.?
40:5194, 93. Like, first came out in 93 and then moved in 94.
40:56I came out to 93 for a pilot.
40:59I did a pilot on Fox called Hardball with Jim Brewer and a bunch of
41:05other people. It was a baseball sitcom on Fox that got canceled.
41:09It was terrible. Yeah. And then the only reason why I stayed, I hated L
41:14.A., but the only reason why I stayed was because I had got an apartment
41:18and I had a lease for a year.
41:19So I was like, fuck, I have to stay here.
41:22And so I stayed for a whole year.
41:23And then I got a development deal for NBC and they, I was there in
41:28the middle of this whole development deal.
41:30And then they said, we have a pilot that we already filmed, but we're going
41:33to fire one of the cast members.
41:36We want you to audition for this.
41:38And that was news radio.
41:39So I got to watch.
41:41Who did you replace? Well, fortunately, it was Ray Romano, who was a good friend
41:49of mine, was fired during the pilot.
41:51And so they replaced him with another guy and that guy got fired.
41:55Oh, wow. Yeah. So it wasn't, I would have felt terrible if it was Ray,
41:59but it was Ray being replaced.
42:01So I was like, good, fuck that guy.
42:03I'll do it for Ray.
42:05Do you remember who the other guy was?
42:06I do not. He was just an actor, some guy.
42:09I mean, I never met him.
42:10I'm sure he's a nice guy.
42:11But luckily for Ray, he goes on and does Everybody Loves Raymond and becomes huge.
42:17And I just stumbled into this fucking show with no acting experience.
42:21That was a fun set.
42:22I remember, I remember, because I did it a couple times.
42:26And also, like, that was not my first, but one of the first experiences I
42:33had with multi -camera sitcoms, you know, where you're like, this is literally the easiest
42:40job on planet Earth. Oh, yeah.
42:44It is the, you have one full day.
42:47You have like a full, I think Thursday, right?
42:49Yeah. And then Friday is like half a day.
42:51Yeah. Monday, come in, listen to this, read the script, go away.
42:55Yeah. It's the filming day.
42:56That's the long day. Yeah.
42:58And it's not that bad.
42:59I mean, especially once we got loose.
43:01The first season was hard.
43:03The first season was 12, 14 hour days because it was like they were trying
43:06to figure out what the show was.
43:08Yeah. But once it got rolling, it was pretty amazing.
43:12So I had only been doing standup for six years.
43:15I'd only been, I had done no acting.
43:18I had, they had made me get an acting coach for a little while in
43:21New York, which I think was counterintuitive.
43:24For a pilot? For the pilot.
43:26The Fox pilot. Oh. Yeah.
43:28Well, how's, how's an acting coach going to help you with a sitcom?
43:32It's about, it's about instinct.
43:34It's about. Well, they were giving me a lot of money.
43:36They gave me like $150 ,000 and they're like, you have to learn how to
43:40act. Do you know how to act?
43:42I've never acted. I'm just saying, like, to deliver sitcom lines, you don't need an
43:49acting teacher. Wow, Joseph, let's limber up the body.
43:53Yeah, you're not Daniel Day -Lewis.
43:55You're not doing There Will Be Blood.
43:58It was weird, because it wasn't anything.
44:01I think the reason why it worked out so well is because it was never
44:05anything that I wanted. So there was no weight to it.
44:08It wasn't like, oh my God, this is it.
44:10I am on a sitcom.
44:12I'm acting. It was more like, this is crazy.
44:15I can't believe I'm doing this.
44:16It was more like, wow, I can't believe I get to do this.
44:20But the real thing for me was to be able to be in L .A.
44:23and go to the comedy store.
44:24That to me was more huge.
44:28When I got passed at the comedy store, that to me was way bigger than
44:33being on a sitcom. I was like, holy shit.
44:36Because at six years in, I was like, is this going to work out?
44:40I don't even know if this is going to work out.
44:42Well, it's also not glamorous in any way.
44:46That aspect of working, there's nothing glamorous about a sitcom.
44:54You know what I mean?
44:54It's not the thing that when you're not in L .A.
44:59or Hollywood and you're sitting back and you are told about the glamorous lifestyle, the
45:04parties and all that stuff.
45:06It's literally you're driving to work and you're going to work.
45:08Yeah, but it was glamorous in a sense that you were on television.
45:14And that was very weird to me.
45:17It was very strange to watch it on TV.
45:19I'm like, that is actually me on TV.
45:22I had zero aspirations for any acting at all.
45:27Yeah. It never even occurred to me.
45:30When I lived in Boston, I remember me and Fitzsimmons, we used to dream about
45:34the day where we could pay our bills telling jokes.
45:37That was all it was.
45:38Yeah, I hear you. It was just like, oh, God.
45:41I would see guys like DJ Hazard.
45:43I remember I went to look at this apartment and DJ Hazard lived in the
45:46same building and it was this converted schoolhouse and these loft apartments.
45:52It had like a second floor where the bedroom was and it looked over the
45:55living room. I'm like, God, he pays for this with jokes.
45:59Yeah. This was like the most amazing thing.
46:01Like, that's all I wanted.
46:03I saw these like Don Gavin and Steve Sweeney.
46:06I was like, imagine being able to pay your bills just telling jokes.
46:10Untie my ankles in the morning.
46:13Remember that? Yeah, I do.
46:15DJ Hazard? Yeah. What was I going to say?
46:19Something. Oh, do you know Fitzsimmons, Paul Barclay story or Bill Downs, The Watch?
46:29Bill Downs. It was Bill Downs.
46:30Which one? How's it go?
46:32Oh, I don't. You should get it from him because it's his story.
46:36But, and I don't want to, I feel like it's his to tell, but it's
46:42fucking great. It's genius. It's bringing up something in my memory.
46:47So, so Bill owed everybody money.
46:50Right. And like he's still, you know, those guys owe me whatever it is at
46:56this point, you know, what, $300, $500.
46:59And just, and you'd go there and they were just doing - Everybody was big
47:02guy, remember? Yeah. I'll pay you soon, big guy.
47:05Oh, the worst. And then, do you remember when Bill adopted the girls?
47:12Yes. Korean girls, right? He, yeah.
47:14And he would use them like as, because at a certain point, it didn't help
47:22to go to the connection or go to the clubs.
47:25And you had to go to their fucking office.
47:28If you want it, nobody's going to call you back or whatever.
47:31And you'd like, I got to get on the team, go to the, go to
47:35their office. And that's the only way I'm going to get money is if I
47:38show up and he's in a good mood and it's not going to happen from
47:43a phone call. And I'd go there every single time.
47:46It's like, dude, I got to pay my rent, man.
47:48I mean, I, I got nothing.
47:50And you owe me, you know, $385.
47:53And back then that was huge.
47:55And, uh, ah, cross, I just, listen, so I got these, my kids, one of
48:04my kids is sick. Whatever.
48:05It was always this fucking excuse.
48:07And then, and then, uh, you know, it was still the Coke residual and the
48:11bottom of his nose. Um, but so Fitz, he owed Fitzsimmons a chunk of money,
48:18like, like a significant amount, like 1500, 1800 bucks, like something, something meaty, you know,
48:27especially for back then. And, uh, you, you, you ask Greg, cause I feel, I
48:35feel like. No, tell the story.
48:36I'm sure Greg's told it to me.
48:38Okay. Greg and I are pretty close.
48:39I just, I remember it some in, in my head.
48:42I do remember part of it, but I don't know the whole story.
48:44I don't remember it. All right.
48:46So Greg was, uh, booked at this, uh, you know, some shit club.
48:52In New Hampshire or whatever.
48:54And Downs was going to be there.
48:56Uh, Bill was going to be there.
48:57And, uh, um, and he goes, he goes there and he goes, uh, oh, Bill,
49:03I, I, uh, I forgot my watch.
49:06Um, I don't want to go over.
49:07Can I, can I borrow your watch?
49:09And he's like, yeah, sure.
49:10Um, it's like a Rolex, like some fancy, fancy, fancy watch.
49:14And, and Greg had this all planned out.
49:16Oh, I know the story.
49:17Yeah. And then he had, he had like parked in a specific place and then
49:22he, and then he gets, uh, he's like, all right, thanks.
49:25And he's like, all right, don't forget to give it back.
49:27Yeah. Yeah. Yeah. And he does his set and then he bolts out the back
49:30door, gets in his car, drives home back to Boston.
49:34And then Bill calls him, Hey, uh, so, uh, I think you, uh, forgot to
49:41give me my watch back and Greg just basically goes, yeah, you want it back?
49:46Uh, give me the 1800 bucks you owe me.
49:49And then met him at a restaurant or a diner somewhere.
49:51in a public place give me the cash and i'll give you your watch and
49:55it was just genius yeah that's greg yeah yeah those days were fun nick's comedy
50:01stop used to offer to pay you in cocaine or cash i dude so i
50:06i did nick's and the only i've said this multiple times the only i i'm
50:13extremely lucky that i was in boston when i was in boston because the comedy
50:19booms going on and outside of i don't know three places i just didn't do
50:27that well and i certainly didn't do well at nick's i mean i was the
50:30opposite they you know it had that the vague feeling of high school where you're
50:36the weirdo and people want to fuck with you and throw you in the trash
50:39can and uh and so i got lucky because there were just spots they just
50:45needed bodies so i worked all the time you know not you know not great
50:50gigs but i had it was all cash you know under the table and and
50:56they just needed bodies to to you know go up and do 15 minutes 20
51:01minutes whatever at some cowboy bar in fitzburg or whatever uh fitchburg um anyway uh
51:07so i get this i get a week at nick's and um and i am
51:15not doing well at all i think i'm opening up for kevin knox so not
51:20my crowd and i didn't have the track suit uh and you know noxie's up
51:28there doing uh hey you know why you know why uh bill buckner didn't catch
51:33the ball get the ball uh it's 86 world series because he heard it had
51:38aids on it okay all right yeah that's a real joke that's a real joke
51:44and they loved it more wonderful yes of course it had aids on 1986 and
51:52then do you remember this what does aid stand for no what adios infected dick
51:59sucker oh i do remember that i do i'm opening for him oh my god
52:04and it's his crowd and uh adios infected dick sucker oh my god yeah so
52:12uh i titled one of the tracks on my first album i think first or
52:17second album uh what if baseballs had aids on them i'm fucking eating it right
52:30so they're they're they're peeling back my uh time as the week goes on and
52:36uh and i am i mean i if i had done even okay i wouldn't
52:43have had this feeling they're already kind of intimidating right super mob very mob very
52:49mob and do you remember where the you'd walk into knicks and there was like
52:54the podium and then behind a little behind it is this little room with a
52:58curtain right and it's uh not big at all and i went to go get
53:04paid my the week was over and i'm and i've just you know eaten it
53:09eat shit every every single night every single show and um and they're all eating
53:15it's like a scene from like they're all eating like you know manicotti just couldn't
53:20make it any better with the fucking napkins in their uh you know in their
53:24shirt like this and uh and i go uh hey nervous as shit just hey
53:30uh so dom uh i need to uh uh if i can get paid i
53:35uh uh just for the you know whatever and dominic goes to whoever i can't
53:40remember the guy's name uh his kind of lackey there and he goes you know
53:45whatever his name was you know paulie go pay the kid and he's i've interrupted
53:50his dinner he's not happy fucking napkin off takes me trudge we go up to
53:57the offices upstairs and there's a safe and it's open and there's cash and there's
54:05a gun this is just open right and he gives me he gets the money
54:10and he gives it to me and i just pick it up i want to
54:13get the fuck out of there and i pick it up and he's like are
54:16you gonna count it uh no i'm good i trust i trust you and i
54:20just bolted i never went back there again it was i was so fucking intimidated
54:26and that was an intimidating place oh dude the whole thing about it every the
54:31dominic the all those guys yeah yeah and they're everyone's doing blow and you know
54:36the performers are at least you know it was a maniacal time where all those
54:41guys there was one time where nix was running three consecutive shows so they had
54:47their main room upstairs there was a dance club down in the bottom and there
54:51was one other room somewhere in that building and guys would go like guys like
54:56don gavin steve sweeney they would go and do a set a set a set
55:00set a set a set and these guys were just raking in money oh yeah
55:04and constantly doing blow no not paying their taxes yeah yes and that's what got
55:10them all yeah that well they i mean back in the heyday and it went
55:15it went on for years it was years and years of this i mean you
55:18you could go down you know 128 and do caloons or whatever and then do
55:23just hop all the way back pop into these chinese restaurants or whatever right giggles
55:28and saugas yeah and just go in a straight line and go back and forth
55:33and do nine fucking shows and and make a shit ton of money cash under
55:39the table tons of blow yeah and yeah it was a wild place because there
55:45were so many comics and it was such a boston's not a big city you
55:49know and to have so much comedy all come out you've seen um france alamita's
55:54documentary i haven't i got it it's really great stand up stood out yeah it's
55:58really i got it it's really great it's really great it's really great and it
56:02goes all the way back to crimins and the ding ho and and That was
56:06before my time. I started in 88, so the ding -ho was already gone.
56:10You heard legendary stories from the ding -ho.
56:13Did you see Call Me Lucky?
56:15No. Oh, you gotta see that.
56:17It's Bobcat's documentary about Barry.
56:22Oh no, wait a minute, I did see that.
56:24It's fucking great, man. That's right, I did see that.
56:26It's really well done. I don't mean just, like even if you don't know Barry,
56:30just the story and the way he lays out the path of the film is
56:36great. I had Barry on, like right after it came out.
56:39I had him on the podcast.
56:42He's a legend and, you know, huge inspiration.
56:46He was an intimidating guy.
56:48Yeah. That was the guy that I was scared of because he was like, he
56:53was the guy who was sort of the standard.
56:57Like, he made sure there was no hacks.
57:01He made sure there was, you know, like he set the standard.
57:04And he was really equitable too.
57:06Yes, yes. Very politically active.
57:10Even like way back then, like really knowledgeable and like really understood what was going
57:16on in the world. Did you ever see his or one of his State of
57:21the Union shows? No. They're fucking amazing.
57:25So he would go, I saw a couple of them at the old Stitches and
57:30he would go up and it was when the State of the Union was happening,
57:35he'd go up and he'd do his State of the Union.
57:38It was just him. And he would go on and he'd have like, you know,
57:43it was pre -PowerPoint, but it was whatever the equivalent of, you know, a screen
57:47behind him with stuff. And he'd go up there with a cooler, like a legit
57:53big cooler of beer because that motherfucker could drink.
57:57And he would just start, he had a podium and he would just crack beers
58:04and just down a case of beer or half a case of beer and just
58:08do his stuff, you know, extemporaneous stuff.
58:12I mean, stuff prepared, but about, you know, the State of the Union and all
58:16that. And it would always be packed.
58:19Like, and you'd see Dennis Leary and, you know, every single comic would be there,
58:24you know, trying up against the wall because it was packed.
58:26But it was great. I mean, legendary.
58:28Well, I mean, I think he was really responsible for a lot of what Boston
58:32comedy became, you know, because he was the guy that was kind of the gold
58:36standard. And he started the ding -ho.
58:39Yeah, yeah, yeah. And he, it's like becoming friends with him was like, whew, like
58:45such a relief because I was terrified of him when I was a young comic.
58:48Like, if that guy thought I sucked, if he hated me, I was like, I'm
58:51fucking doomed. Yeah. You know, because he was this character.
58:55He would go on stage with a sport coat on and reach into his inner
58:59pocket and pull out a Budweiser for every show.
59:02You remember that? I don't, but I mean, I know he drank a lot.
59:05Yeah, but he would bring his own beer.
59:07It was part of his thing.
59:08He would go on stage, just reach into his, pull out a Budweiser and set
59:12it down on the stool.
59:13I. You only drink American beer.
59:16Is that true? Yeah, you drink Budweiser.
59:18I wonder why that is.
59:19I don't know. It was like kind of a patriot.
59:22Hey, I, he doesn't seem like he would, the kind of guy who would have
59:27denied himself. Well, I mean, maybe it was performative.
59:32I don't know. Was there a Modelo even?
59:34Did it exist at the time?
59:35But, yeah, he was, he was the only guy, I would say, that, and to
59:44your point, like all these other legendary comics, you know, Lenny Clark and Don Gavin
59:51and Steve Sweeney and all those guys, he was the only guy, those guys were
59:57kind of walking on eggshells.
1:00:00Yes. The only guy. Yes.
1:00:01Yes. They would give every, they'd give all each other shit.
1:00:05Like, and, and mean shit too.
1:00:07Yeah. Oh, they would fight.
1:00:08Oh, yeah. Barry was the one guy they wouldn't fuck with.
1:00:11Well, he was different than all of them in that he was incredibly well -read.
1:00:15Like, really well -read, really knowledgeable about all sorts of things with economics and the
1:00:21way the world works and the injustices of our society.
1:00:24But, really funny fucking comic too.
1:00:27Oh, yeah. Like, great jokes.
1:00:29Great writer. Yeah. You know?
1:00:31And just like, he was the standard.
1:00:33He was the glue that held that scene together.
1:00:35Because they all looked at him to be like, like, you can't kind of step
1:00:40out of line. Like, you don't want to get, catch Barry's R.
1:00:43Yeah. It's absolutely true. Yeah.
1:00:46And then when the revelation he had of being abused as a kid, and then
1:00:55he dedicated, he spoke in front of Congress.
1:00:59Yes. He did about - AOL.
1:01:02AOL. Yeah. That was, during the early days of AOL, for people that don't know,
1:01:07they had all these chat rooms, and sexual predators were using these chat rooms to
1:01:13find children. Yeah. And also to exchange pornographic material.
1:01:19And that was, that becomes a big part of Call Me Lucky, you know?
1:01:24Right. Right. And, yeah, he like dedicated his life basically to just going out and
1:01:32catching these motherfuckers. Yeah. And, and, and helping, you know, the, the people who would
1:01:40pose as kids and stuff.
1:01:41And that was, you know, that was his, and he was also, you know, lapsed
1:01:49Catholic. And when all the, especially in Boston, the Catholic Church and diocese and all
1:01:54that stuff was coming out, he was, I mean, that was his fucking focus.
1:01:59Yeah. Yeah. Getting these fuckers caught, you know?
1:02:03Exposed. Well, I, I think it took someone like him that was, he was levels
1:02:11above most of the other comedians in terms of his understanding of the world and
1:02:16his ability to articulate it and also a great comic.
1:02:20And, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
1:02:20and, and, and, and, and, and so that like people looked at him like well
1:02:22this guy's like he's clearly smarter than all of us he's also like super dedicated
1:02:28to the craft of comedy like meant a lot to him like the integrity of
1:02:32comedy like what it is to be a comic you know and he came from
1:02:36uh and i think this is kind of specific to boston too he came from
1:02:42a jock world he was a minor league uh or whatever sub minor league uh
1:02:48catcher he played uh he was at syracuse university and he played for like the
1:02:55cape cod league and you know the things that eventually you get to minor leagues
1:03:00hopefully um but and he came from that hard drinking you know and and catcher
1:03:06is arguably the smartest guy in the baseball team right right he's the guy making
1:03:12the calls for the pitches seeing everything defensive lineups so he came from that world
1:03:17too which i think helped his cred yeah well it's just such an unusual town
1:03:23in what happened there that these guys became these local legends where they never had
1:03:29to leave and they kind of did the same act for decades which was also
1:03:33kind of crazy that to me was like i knew there was definitely a uh
1:03:42as i started to separate from that world a little bit and uh and just
1:03:49kind of evolving as a comedian and there was like the catch scene and um
1:03:53catch a rising star and uh that was a thing that was an early i
1:04:00just didn't get it like why are you doing the same it there's no joy
1:04:05in it right you would drive some of these guys because they get fucked up
1:04:09and you were happy to have all the work and you'd go up and do
1:04:1215 and they'd do a half hour you'd get in the car you'd go somewhere
1:04:15else and and these guys doing mike dunnman he would do his remember rosie the
1:04:24bounty the quicker picker -upper the bounty yeah okay so he had there was a
1:04:29so the commercials were like rosie uh uh and it was like the scrappy uh
1:04:37waitress at a diner remember it was like a character that was in all the
1:04:41it was like the the you know mascot of whatever bounty the quicker picker -upper
1:04:47and her character was kind of like feisty isn't these commercials ran for years you
1:04:53know different like ah you don't do this do this and his bit was about
1:04:58taking a gun out and shooting her um and it was funny you'd see it
1:05:03the first time but it's like dude that hasn't been on the air in fucking
1:05:0610 years and he's still doing this uh yeah rosie i got something for you
1:05:12i gotta i got some advice for you like what the fuck and there was
1:05:17okay wait joe did you were you there so uh ed the machine regime oh
1:05:25yeah i remember him so he'd wear the suit yep well yeah and he his
1:05:30headshot was four different his headshot was like four squares and then different characters yep
1:05:36tina turner and uh guy the the like mob guy uh i can't remember the
1:05:42rest of them and then you know whatever i think he had a turban in
1:05:45one of them i'm sure he did uh so he goes to jail for rolling
1:05:52back odometers odometers yes that's right he gets caught and he was uh you know
1:05:58car salesman i think out of in rhode island i believe and he got caught
1:06:02rolling back the odometers he goes to jail for a year and a half and
1:06:07i uh i was shooting this movie this is decades later i was shooting this
1:06:15movie and was on a cruise ship and the cruise ship uh ed the machine
1:06:21regime is the headliner at the comedy venue on the cruise ship and i'm like
1:06:28oh shit that's crazy i haven't seen this guy in forever and he's he's back
1:06:32doing comedy okay and i go there and he does i don't know 40 minutes
1:06:40the same fucking act from 15 years ago it's like you don't have one you
1:06:48you spent 18 months in prison you don't have one joke you don't have one
1:06:52motherfucking observation even if you lie and say you know you don't be weird if
1:06:59you were in prison and whatever you had you don't have anything it's weird it
1:07:03was a country we're writing new material all the time it was i remember that
1:07:13feeling of i must be different because i'm not i don't that is such a
1:07:19distasteful thing yeah i wouldn't want to do that well there was two i saw
1:07:24two traps there one of them was that and the other one was never leaving
1:07:29yeah they never left boston and when they did leave boston they had so much
1:07:34local material that their act was like cut down by like 40 and there were
1:07:39a lot of people their peers who would give them shit like uh and it
1:07:45was all just kind of resentful jealousy small -minded small town kind of like oh
1:07:51you think you're better than us which is a boston thing too that um oh
1:07:56you think you're so you think you're so hot now that you uh you're hot
1:08:00shot you go you get some uh you go to hollywood you go there yeah
1:08:04fuck you this is you know it was a real provincial working class kind of
1:08:09yeah attitude you know they look down on and you know they would give leery
1:08:14shit all the time you know like sell out this is bullshit weird sell out's
1:08:20a weird one because they would all sold out it just wasn't available well they
1:08:26were all mad at stephen wright yeah yeah because so stephen wright was like how
1:08:32can you get mad at stephen wright well not mad mad at stephen wright well
1:08:34not mad at stephen wright well not mad at stephen wright well not mad at
1:08:34stephen wright well not mad at stephen wright well not mad at stephen wright well
1:08:34not mad at stephen wright well not mad at stephen wright well not mad at
1:08:34stephen wright well not mad at stephen wright well not mad at stephen wright well
1:08:34not mad at stephen wright well not mad at stephen wright well not mad at
1:08:34stephen wright well not mad at stephen wright well not mad at stephen wright well
1:08:34not mad at stephen wright well not mad at stephen wright well not mad at
1:08:34stephen wright well not mad at stephen wright well not mad at stephen wright well
1:08:34not mad at stephen wright well not mad at stephen wright well not mad at
1:08:34stephen wright well not mad at stephen wright well not mad at stephen wright well
1:08:34not mad at stephen wright well not mad at stephen wr at him but bitter
1:08:36because of his success because he went and left yeah yeah he went and left
1:08:40did the tonight show right became huge so unusual so different and they came to
1:08:45boston the tonight show came to boston to look for comics and stephen wright was
1:08:49the one they chose and all these other guys were like he's a middle act
1:08:53like this is like that guy bombs half the time because his act his act
1:08:57to me was a lot like head bird yeah in that if you didn't know
1:09:02what he was doing and you came to see specific like if hedberg there's a
1:09:06famous story of hedberg was on the road in ohio and they had this guy
1:09:09who was an opening act to do like backflips and fucking sing rap songs and
1:09:13it was it was a disaster and hedberg kept bombing and so they switched them
1:09:17and made hedberg the middle act and tried to fuck him on the money and
1:09:21stanhope got into it with the owner of the club and became a big thing
1:09:25but once hedberg got an audience then people knew what they were coming to see
1:09:30and then he was amazing and then everybody wanted to see that that was kind
1:09:33of the same with stephen wright like if you expected if you're on a show
1:09:37with steve sweeney and lenny clark and all these big energy boston guys and then
1:09:44you know i used to work at a fire hydrant factory couldn't park anywhere near
1:09:51the place you know like it just for whatever reason you know well it's also
1:09:56it that other comedy is and i'm not taking anything away from those guys and
1:10:02the the bits were great but the that other comedy is a little easier it
1:10:06just you get it yes and yes steven wright you got to think about it
1:10:10for a second it was abstract it was low key it was all non sequiturs
1:10:14it was one to another it was and so when he left and took off
1:10:19a lot of guys apparently were like this is fucking bullshit like when's my turn
1:10:24gonna happen yeah i i can see that easily yeah yeah i mean that was
1:10:28it was so i mean no other scene had that kind of weird provincial you
1:10:35know and that thing like you said they wouldn't leave no they never left well
1:10:40they were huge there so if they lived there they could make like a couple
1:10:44hundred thousand dollars a year just running around and cash easy yeah and not ever
1:10:49have to worry about anything and they played golf all day so there's two things
1:10:52that scared me one of them was golf because i saw that when you play
1:10:54golf you kind of stop trying with your comedy it's a slippery slope so many
1:10:59hours it's a gateway yeah drug well it's your you're out there for fucking eight
1:11:03hours a day like noxie was always playing golf and then the other thing was
1:11:07like if if you never left you had no chance of developing like a national
1:11:13audience where you could go to a club in philadelphia you can go to a
1:11:17club they couldn't do the road and i i remember thinking oh this is a
1:11:21trap yeah for sure absolutely yeah i mean and as you said they half of
1:11:27their stand -up was like you'd have to know about you know storo drive or
1:11:32fucking johnny most you know johnny most yeah remember donovan's bit about johnny most it
1:11:37was amazing but it was like he was doing that bit long after johnny most
1:11:41was dead so like 20 people in the audience would be howling laughing and everybody
1:11:45else like who the fuck is johnny most god yeah it was it was weird
1:11:51because that it was like a velvet prison it was like how i described like
1:11:55really great comics that get jobs in the writer's room and i'm like you got
1:11:58to be careful like that's a velvet prison because if you get stuck in that
1:12:01writer's room and you never do the road you never put out specials you're never
1:12:05going to get an audience you're always going to be beholden to an employer you're
1:12:09always going to have to have a job and there's great comics that got trapped
1:12:13with that i but wouldn't you say that if they yes it's a trap but
1:12:20if they didn't have the uh wherewithal or foresight or or willpower to get out
1:12:28of that trap then they probably weren't meant to do that perhaps but sometimes they
1:12:33get a mortgage and then they get a family and then they're stuck that's the
1:12:37trap yeah family let's call it for what it is yeah it's a trap and
1:12:42well in a lot of ways it can be if you're trying to be an
1:12:47actual national level like do you know owen smith uh comic in la no one
1:12:53of the top 20 best comics on earth he's fucking brilliant he's so funny owen
1:12:59smith owen smith okay saw him at the comedy store and i remember the first
1:13:03time i saw him at the comedy store i'm like how is this guy not
1:13:05fucking huge he's so funny he's so good he's like he has this bit about
1:13:10uh adopting a white kid and naming him the n -word it's just like really
1:13:16it's a really funny well -crafted bit like all of his bits are like brilliantly
1:13:20written he's a great performer he's super likable got writer's gigs and just he does
1:13:26the mothership a couple times a year i believe at least once a year um
1:13:30but just doesn't get out there who does he write or or what oh i
1:13:35think he's a show runner now oh well yeah so it took it to another
1:13:39level yes but you know just got jobs writing when he was struggling as a
1:13:44comic and those jobs eventually led to a house and but maybe he you know
1:13:50was like i you you watch him and you love him right because you see
1:13:55a lot of stand -up and you're like a lot of it's shit and this
1:13:58guy's fucking great great writer but maybe he doesn't see it that way and he's
1:14:02quite happy to i think he does he does see it that way i've talked
1:14:06to him about it yeah he kind of knows he just doesn't know what to
1:14:10do now because he's a show runner you're it's making money yeah and there's a
1:14:15lot of responsibility there's also not a lot of shows anymore yeah which is it's
1:14:20a real problem it's a real problem banked on being a show runner in the
1:14:2490s and that's what you you know threw your hat into and then all of
1:14:29a sudden that thing seems to have dwindled to like 20 of what it used
1:14:34to be it's yeah it's uh i used to be quite happy with the idea
1:14:40that i knew you know back in the day when you're pitching shows and stuff
1:14:45and trying to develop things and you go this uh let's Let's not waste our
1:14:50time going to these five places.
1:14:52This is not a show for them.
1:14:53This is a show for these three places.
1:14:55Let's, this is this kind of show.
1:14:57Now I have no fucking clue.
1:14:59I, you know, come up with, like Bob and I pitched a show, sold the
1:15:09pitch. There was like even, there were like four, I think we pitched it at
1:15:14eight places. Four of them kind of bid.
1:15:17We took what we thought was the best deal and then wrote the, it was
1:15:24a limited series, eight episodes, wrote the first four.
1:15:29And it was Bob and his brother, Bill, who's big Simpsons guy.
1:15:34And it was good. And then they said, nah, the, the quote was marketing and
1:15:45analytics couldn't, that was a quote.
1:15:47Couldn't figure it out. What to do with the show.
1:15:51Wow. And so they didn't, and we, and we had four episodes that you could
1:15:55look at. And then we had the Bible for the next four and the outlines
1:15:58and everything was, and it was fucking funny.
1:16:00On the page, it was funny.
1:16:01Then we're like, so here's the cast.
1:16:05We're going to have these amazing people.
1:16:08And Bob and I as different cult leaders.
1:16:12And, uh, um, I mean, and, and if that's such a rare thing when it
1:16:19starts off on the page funny.
1:16:21And by the time you get a great cast and then you get on set
1:16:24and you're like, what if we do this?
1:16:25And then you get into the post and, and start playing around with it.
1:16:30I mean, it's just, it was a really cool thing.
1:16:33And, uh, yeah, marketing and analytics.
1:16:36That's what you're dealing with now.
1:16:38Well, I mean, that has kind of always at least been the case.
1:16:41I, well, not, I mean, they, they would have to say, uh, I mean, analytics
1:16:49is technical. I mean, marketing, I, I don't know how to help you, man.
1:16:53I can give you some advice.
1:16:54I don't, I, you know, I think that's a shitty way to market it, but
1:16:59you know, the, you know, that world and, uh, but analytics is about the algorithm
1:17:06and all that shit. Is this recent?
1:17:08Yeah. Yeah. Okay. Yeah. Right after, uh, shortly after COVID.
1:17:13It's amazing how many incredibly unimpressive people are responsible for putting out shows.
1:17:19The people that you communicate with, the executives, you're like, this has got to be
1:17:23a mistake. Like, how did you get this job?
1:17:25And I experienced that early on, like at the first pilot that I was on.
1:17:32The, um, the first pilot was on hardball.
1:17:35The pilot was actually very funny because it was written by Jeff Martin and Kevin
1:17:39Curran. They're from the Simpsons and they also wrote on married with children.
1:17:43Great guys, but they were writers.
1:17:45They were like these like quiet kind of soft spoken guys.
1:17:48And, you know, they ran the pilot and then they brought in a show runner
1:17:51from coach. Remember that show coach?
1:17:54Yeah. And this guy just fucked the whole show and turned it into this like,
1:18:00it was like this clunky, bad joke.
1:18:05Like really, it was happens more than you think.
1:18:08And the people behind the scenes, like the executives, it was astonishing how little of
1:18:13them had any creative ideas.
1:18:17It was that they were just hoping that it would work.
1:18:20And ego, it's like ego and I'm an executive.
1:18:24So I'll tell you what's good and what's not good.
1:18:26And we understand this because we're a fox.
1:18:28And I was like, this is nuts.
1:18:30Like, this is, this is how it works behind the scene.
1:18:32I thought you'd get behind the scene and be all these fucking geniuses that put
1:18:36together all these television shows.
1:18:37They had an understanding of like how let people be creative and put a, put
1:18:41a show together and let it, let it fucking run out in the, the, the
1:18:44runs. Like when you're running through the script, like figure out how to put it
1:18:47together. It's like the little boy who thought the world was, everybody learned.
1:18:51Same thing. Finally, they're going to figure it out.
1:18:53Yeah, I'm very naive. Yeah.
1:18:54But I naively stumbled into that exact right thing with news radio.
1:19:00Right. So when I got on the news radio.
1:19:02Which I would say some of those execs that you're describing, they probably stumbled into.
1:19:09Yes. The success of it.
1:19:11Well, you know, Paul Sims, who is brilliant, was coming from the Larry Sanders show.
1:19:15Yep. So Larry Sanders show, huge success, genius show.
1:19:18And so they knew this guy was special and super smart guy, like funny and
1:19:24had a great group of writers and put, put together a great pilot.
1:19:28And then, you know, recast the one role that I came in for.
1:19:32And so I'm there on this set and it was like, you know, it took
1:19:36long hours to figure it out, but they let everybody do whatever they wanted to
1:19:41do. Like Paul's approach was so different than anybody else.
1:19:44It's like Dave Foley was like the secret producer of like half of that show.
1:19:49Half of the way the scenes were put together, half of the jokes that were
1:19:53in it was all Dave Foley on set, running through the script with the cast,
1:19:57coming up with better ideas.
1:19:59Oh, I didn't know that.
1:20:00They let you do anything.
1:20:02Like sometimes they'd say, can we see it as written?
1:20:05And then you'd give it to them as written.
1:20:06Then they'd be like, I like your idea better.
1:20:08Like Paul was fucking amazing with that.
1:20:13And so once I did that, I was like, I think I'm done with this
1:20:16because I don't think it's ever going to be any better than this.
1:20:18It's rare, man. Yeah, it was super rare.
1:20:20I auditioned for like one or two other ones that were terrible just because I
1:20:24wanted money, you know, and I'm like, and I'm like, maybe it'll be okay.
1:20:28But hell is being on a sitcom that's terrible, that's successful.
1:20:32That sounds dumb to people.
1:20:34Like, no, you're going to, oh, poor you, you're on TV making $50 ,000 a
1:20:40week or whatever you're making.
1:20:42Like, poor you. But no, you're in hell because you're doing something that sucks and
1:20:47you have to show up every day doing this thing when you know you could
1:20:51have been on Seinfeld or if you just got cast on Friends.
1:20:55That's a trap too, you know, is like the people who, you know, because it
1:21:02really is like a job.
1:21:03And you. You may have a really nice house, right?
1:21:06And you have a nice car, but you're in Studio City and you get in
1:21:13your car and you drive to this job and it's kind of shitty and sucks,
1:21:19but there's amenities, great craft services.
1:21:21This guy makes fucking frappuccinos right there.
1:21:25And then you go and have dinner with somebody fancy somewhere and then you just
1:21:31get up and do the same thing over and over again.
1:21:33Yeah, and you keep buying things because that's how you reward yourself.
1:21:36You buy a new television.
1:21:38This one's even bigger. You buy a new car.
1:21:41I got the new car.
1:21:42And that's what you're doing to reward yourself for doing this job that sucks.
1:21:47I get that too. I mean, I will on a much smaller scale, but when
1:21:51I make a good payday, I'll buy some expensive boxes of baseball cards.
1:21:57Oh, you're a baseball card collector?
1:21:59That's the thing? Oh, interesting.
1:22:01Yeah. Yeah, but have been going back.
1:22:03It's not like I feel like I have legit, you know.
1:22:07Baseball street cred? Yes. Yes.
1:22:11But that's the thing. And also it's, I mean, the argument can be made.
1:22:16It's an investment. A shitty investment.
1:22:19Yeah. But an investment nonetheless.
1:22:20But it's also like gambling because it's like a scratch off ticket because everybody's chasing
1:22:25the one of one cards and you're opening the packs and stuff.
1:22:28Oh, that's how you do it?
1:22:29You buy packs unopened? I buy boxes.
1:22:32Yeah. So I buy a hobby box, which has a better, it's more expensive.
1:22:36It has a better chance of, well, it has more like auto rookie cards or
1:22:42relic cards or something like that.
1:22:44But those are, that is an investment though.
1:22:47It is. Because you could always sell them.
1:22:48People always want them. Yes.
1:22:50I just mean since I started, you know, God, 30 years ago, 40 years ago.
1:22:58Yeah. 30, like in the 90s, early 90s, maybe 80, no, 89, 89.
1:23:04So whatever money I put in is, there's nowhere near.
1:23:11If I sold everything, I mean, it's talking about half the money I put in,
1:23:15but I have them and I like them and I'm not going to sell them.
1:23:17I'm not going to sell them.
1:23:18So that's your reward. That's what you collect.
1:23:21That's my reward. Yeah. My thing was in my poverty days, it was comic books.
1:23:27So one of my - Which is also an investment.
1:23:30Yeah. Well, it became one eventually.
1:23:33But during my poverty days, my biggest, saddest moment was when I had to sell
1:23:40my comic books because I had no money.
1:23:41Oh, yeah. I had no money.
1:23:43And I had these old Spider -Mans and these old Incredible Hulks.
1:23:47Yeah. Which were probably now worth - Oh, my God.
1:23:51Probably hundreds of thousands of dollars.
1:23:53I had some really good ones in the plastic sleeve.
1:23:56Yeah, yeah. I'd keep them in the sleeve.
1:23:57Mylar. Be very careful pulling them out, opening them up.
1:24:00Oh, I love comic books.
1:24:01And I had collected them since I was a child.
1:24:04Oh, that's a bummer, man.
1:24:05Because I wanted to be a comic book illustrator.
1:24:08That's what I - Is that your thing?
1:24:09Do you - Yeah, that's what I - Oh, I didn't know that.
1:24:10When I was a kid.
1:24:11Is any of this - Any of that stuff yours?
1:24:13No, no, no. None of that stuff is mine.
1:24:15All the artwork is just different artists.
1:24:17Yes. Oh, wow. Cool. Yeah.
1:24:18Well, I haven't in a long time, but I was really good when I was
1:24:20in high school. Yeah, I could still draw.
1:24:22I can still draw a little, but it's like - But if you wanted to
1:24:26do your own comic book, I'd say you could do that.
1:24:28I would have to start practicing again and get - But when I was a
1:24:31teenager, I was really good.
1:24:33And that was what I wanted to do, but I had a really terrible art
1:24:35teacher in high school. He was just a fucking - Just a miserable guy.
1:24:41Just miserable. And it was like, you're not going to get that job.
1:24:45I'm like, what? You can't just draw what you want.
1:24:48I'm like, why not? It's like a Dan Clow's thing.
1:24:51Have you read Art School Confidential?
1:24:53No. Oh, you know Dan Clow's, right?
1:24:56I know who he is.
1:24:56Yeah, yeah. His stuff is fucking genius, too.
1:24:59I've used that word too many times.
1:25:00That's okay. There's a lot of geniuses out there.
1:25:02There aren't that many. But there's enough if you search around.
1:25:06I want to be judicious with him.
1:25:09But yeah, so he's the guy who did 8 -Ball.
1:25:14And then he's got, he did Ghost World turned into a movie.
1:25:19And then there was another one that was, Wilson, that was turned into a movie.
1:25:23His stuff is great. But he has a thing about art, you know, shitty teachers,
1:25:31art school teachers. He has a comic story.
1:25:35Well, I was, I quit on my last year in high school.
1:25:39I stopped doing art just because my teacher was so bad.
1:25:42And then there was this one guy in my class that I recently reconnected with.
1:25:46This guy, John DeVore, who was the best artist in the class.
1:25:49It was me, this guy, Kevin, and John.
1:25:51And we were the best artists in the class.
1:25:53I was probably like third best.
1:25:55But John was the best.
1:25:56And John got an F his last year from this guy.
1:25:59And I'm like, he gave you a fucking F?
1:26:01He's like, that guy was such a cunt.
1:26:03We were going back and forth in emails.
1:26:05Was he, was it about purity or what was the?
1:26:08No, no, he was terrible.
1:26:09He wasn't a good artist.
1:26:10He was, he was just miserable.
1:26:12He was miserable. He was like this thin man with a big pot belly.
1:26:16So I think he just drank himself to sleep every night.
1:26:18And he was just sad.
1:26:20Hey, easy, easy, easy. Hey, you're getting too close.
1:26:26He was just sad. He was just a sad guy.
1:26:28What was his justification for saying this isn't any good or you get an F?
1:26:33If I had to be honest, I think he hated potential.
1:26:36Right. Yeah, because he hated John.
1:26:38And if he hated John, like John was genius.
1:26:40He was brilliant. And John wound up not being an artist either.
1:26:44Wow. Think of how many examples of that.
1:26:47Yeah. Where kids' talent or dreams or aspirations are kind of crushed.
1:26:52And to the point of like, it's not worth it.
1:26:55No. I don't want to deal with this shit.
1:26:56Well, it's like bad teachers, bad teachers can really ruin your life and good teachers
1:27:01can change your life. Yeah.
1:27:02You know, I had a teacher in middle school that gave me one thought that
1:27:06has been, that stuck with me like my whole life.
1:27:09When I was, I guess I was like 13 and he, he was a science
1:27:13teacher and he was talking about space.
1:27:15He goes, and he was just saying, I just want you.
1:27:18to sit here and comprehend when we're in this classroom, I want you to comprehend
1:27:22the concept of infinity, that the universe is infinite, that there is no end.
1:27:28Just hurt your head, lie in bed at night, and think about how it goes
1:27:32on and on, and there's no ending to it.
1:27:35And we were all in class like 13 going, what the fuck, man?
1:27:39I mean, it was the way he said it, I'm not doing it justice, because
1:27:42he was like kind of a spooky guy who went to Vietnam, he was like
1:27:45a grizzled fucking dude who was like, but brilliant.
1:27:49And that guy, that one thought, I carry with me all the time.
1:27:53Especially at 13, too. Because you're about to start losing sight of the importance that
1:28:03those concepts will have. And we just dismiss him and go, yeah, yeah, it's big,
1:28:08whatever. Yeah, this guy birthed my fascination with space at 13.
1:28:12I don't think I was even interested in space before then.
1:28:15And then I became absolutely fascinated by it.
1:28:17I just couldn't get my hand enough books about cosmology and space travel.
1:28:22But this guy that was his art teacher was just, I think he just, life
1:28:27didn't turn out the way he wanted it to.
1:28:29And he wanted to squash the hopes and dreams of talented people.
1:28:33Yeah, I think that's... Unfortunately, that's a real thing.
1:28:36Yeah, it's more common than you might hope for.
1:28:40Yeah, I think that's a very real, you know, very real thing, unfortunately.
1:28:45So that was my dream.
1:28:46My dream was to be a comic book illustrator.
1:28:48So when I was a young kid, from the time I was like, God, like
1:28:51six or seven, when I lived in San Francisco, I would collect all these different
1:28:55comic books. That was what I would do.
1:28:57I would just go... San Francisco was the, what's the, you know, the counterculture comic,
1:29:05they were like the big R.
1:29:07Crumb. R. Crumb, yeah, yeah, yeah, yeah.
1:29:09But there was like a publisher, right?
1:29:10That's famous. Yeah, God, I don't...
1:29:14Yeah, I do know what you're thinking of.
1:29:16I can't remember the name of it.
1:29:17But I was really interested.
1:29:18I really loved like the old creepy and eerie comic books too.
1:29:22Do you know those? My grandmom did?
1:29:24Oh, it's gonna hurt your feelings.
1:29:27My, I had a, my uncle, who eventually went insane, was a huge EC Comics,
1:29:37right? Early, I don't know where, but all the EC stuff and then, you know,
1:29:44early Mad Magazine stuff. But he had this collection.
1:29:48And I was probably, eight, maybe?
1:29:56And I had expressed interest in these, you know, can I, not thinking in terms
1:30:02of investment, just can I have them?
1:30:04I like them. And they're, and I would sit and read them.
1:30:07And they're really cool. And they're creepy, you know, and they're scary.
1:30:10Some of them are scary.
1:30:11And, and she, I don't, I think she just threw them away.
1:30:19Like original, and I'm going to guess, I don't know, but I'm going to guess,
1:30:24like quarter of a million dollars worth.
1:30:31They're just comics. They were so good.
1:30:33I love those old black and white, like really like deeply illustrated.
1:30:39It's like super creepy. Um, like, um, yeah, weird science.
1:30:48Tales from the Crypt. Vault of Horror.
1:30:51Yeah. God, those were great.
1:30:52Look at that. Yeah. Some of them were really gory.
1:30:56Yeah. Oh, I love those.
1:30:58The Crypt Keeper. Yeah. Tales from the Crypt.
1:31:00Yeah. That stuff was like, I loved it when I was a kid.
1:31:05Yeah. Holy shit. Those were incredible.
1:31:08It was like, do you remember seeing, um, uh, Twilight Zone when you were a
1:31:11kid? Sure. Just blow in your mind.
1:31:14Like, wow. You think about the early Twilight Zone, how many premises they went over?
1:31:20Like how many different brilliant premises they had in the early Twilight Zone?
1:31:24Yeah. That have, uh, been, you know, stolen completely.
1:31:29Oh yeah. Over and over and over again.
1:31:31Yeah. Yeah. But just like so genius and creative.
1:31:34Yeah. The William Shachner one when he's in the diner and the, the little machine
1:31:39that is giving them fortunes and they all turn out to be true.
1:31:43I don't remember that one.
1:31:44Oh my God. There were so many good ones.
1:31:46How about the, the Burgess Meredith one where he just wants to be alone with
1:31:51books and there's a nuclear bomb and he's like filing that he breaks his glasses.
1:31:55Yeah. Yep. And the, uh, um, the one, the, what is it called?
1:32:02Situation on main street or something like that where they, there's, it's so genius and
1:32:07ahead of its time where there's a, you know, it's a suburban street and the
1:32:14lights go out or something goes out.
1:32:16And then eventually all the neighbors are at each other's throats accusing each other of
1:32:24the, this thing. And then, uh, the very end, and they're all like, and then
1:32:28they start getting guns and, uh, at the very end, you're watching the whole thing
1:32:33unfold. Uh, and that at the very end, here it is monsters are due on
1:32:37maple street. The monsters are due on maple street.
1:32:40Yeah. And it, so they're talking about these monsters that are, you know, and who
1:32:47are the monsters and it's, they all become suspicious.
1:32:51Yeah. The lights are out.
1:32:53And eventually you pull away from this whole thing and it's two aliens in a,
1:33:00you know, flying saucer and they're, yeah, there it is.
1:33:05And they're going, this is how we'll take over.
1:33:07It's street by street by street.
1:33:10And this is how we'll do it.
1:33:11You don't have to go in there.
1:33:12Guns a blazing. They'll kill themselves.
1:33:15And it's like, how far ahead of time was that?
1:33:17It's genius. And the, uh, divide and conquer.
1:33:21And the, to serve mankind.
1:33:23That was a great one.
1:33:24Yeah. It's a cookbook. Yeah.
1:33:27There's so many amazing premises.
1:33:29There was like no duds.
1:33:31If you go back and watch.
1:33:32Twilight Zone, even today, like, it's all brilliant.
1:33:35There's one I remember. That was a dud?
1:33:38That was a dud. That I remember.
1:33:40I haven't seen it in a long time.
1:33:41But it's a, it's either really, really, really cold, and there's this poor family in
1:33:51a, you know, New York City, and they can't get heat.
1:33:55Or it's really, really hot, and they can't get cold, and they're dealing with people
1:34:00who are, like, you know, in the family who are really sick, and then the
1:34:04twist was, it's like, oh, it's really, it's somebody who has a fever, and they're
1:34:10not. It just wasn't that good.
1:34:11Ah, well, they're allowed one, dud.
1:34:14Yes. That's a wonderful one.
1:34:15I don't think I ever saw that one, but I remember so many of them
1:34:18were so creative. Oh, amazing.
1:34:20It's kind of nuts if you think about it, because it was completely original.
1:34:24Nothing like that existed before it.
1:34:26And they, I mean, it was like this open field that was rich with premises,
1:34:32and they just took all the good ones.
1:34:34Yeah. And then everybody afterwards, like, it's like, like, don't, like, South Park always does
1:34:40jokes about, like, Simpsons already covered something.
1:34:43Like, they always joke around about, like, how the Simpsons have kind of covered so
1:34:47many premises, because they've, you know, they've been around since, God, the Simpsons was when
1:34:51I was in fucking high school.
1:34:53Yeah, it's like 30 years, right?
1:34:54At least. More than that.
1:34:56When did the Simpsons first come on Fox?
1:34:59It was on the Tracy Ullman show.
1:35:01Right. What year was that?
1:35:0486. 86. It was right after I got out of high school.
1:35:0786? I was a tiny, tiny kid, and I had to only call them the
1:35:10family, so I kind of remember that.
1:35:1286. So I graduated in 85, so it was right after high school.
1:35:15And the Simpsons are still on the air.
1:35:17Yeah. Nuts. Nuts. Do you remember the...
1:35:2287? Yeah, but technically... Do you remember the Twilight Zone where there's the real pompous
1:35:28guy? There's, like, a men's club kind of thing, whatever.
1:35:32And there's this real loudmouth, pompous guy, and this other guy's like, you know, would
1:35:42you shut up? You can't...
1:35:43I bet you can't go...
1:35:44I bet you can't stop talking for a year or whatever, a month.
1:35:48I can't remember what it is.
1:35:49And the guy's like, absolutely.
1:35:51He's like, I'll bet you $100 ,000.
1:35:53You can't go one month without talking.
1:35:56He's like, I'll take that bet.
1:35:58And they basically create, like, this little kind of cage in this men's club.
1:36:02And he spends a month, and he's not talking.
1:36:07And he's, you know... And then it turns out the guy can't pay him.
1:36:11He didn't have the money to begin with to pay off the bet, because the
1:36:15guy goes the full month or year or whatever.
1:36:18And it turns out that the guy who made that bet, who's not going to
1:36:23talk for a year, also desperately needed the money and had his tongue cut out.
1:36:28Oh, Jesus Christ. Yeah. Oh, I do remember that one.
1:36:33Yeah. Oh, God. I think of these things as kids.
1:36:37Yeah. Whoa. Yeah. And, of course, the cornfield.
1:36:42I'll banish you to the cornfield.
1:36:43You know? Yeah. It's just amazing that...
1:36:47Well, if you stop and think about how new television was back then.
1:36:52I mean, television was only a couple decades old back then.
1:36:56Barely, yeah. If that. Like, what year was the Twilight Zone...
1:36:59What was the premiere? Rod Sterling.
1:37:04Yeah, I guess. 67. No.
1:37:08Earlier? I'm going to say 59.
1:37:09Yeah, you're probably right. Yeah.
1:37:11Is it? 59? Wow. I got it on the...
1:37:14I got it exact? October 2nd, 1959.
1:37:18Damn, son. Yeah. Pretty good.
1:37:21Wow. Wow. So, if you think about it, television...
1:37:24When did it start? What was, like, the first television programs?
1:37:27Was it the 30s? I think it was Real Housewives of Yonkers.
1:37:33I think it was Real Housewives of Yonkers.
1:37:37Imagine if they could watch some of these reality shows today.
1:37:40They'd be like, what the fuck did we do?
1:37:42Yes, I think so. Wait, Andy Cohen?
1:37:44What? Who? Why? How? What is this?
1:37:49The first... It was the...
1:37:50It was... Wasn't it, like, the...
1:37:54The... Where they would do plays?
1:37:57You know what I mean?
1:37:58Like, um... Well, I Love Lucy was on...
1:38:02It was on and done before this even started.
1:38:05Well, The Honeymooners, right? That would have been...
1:38:07What year was that? That was 51 to 57.
1:38:09Here's, like, a list of shows that were on before...
1:38:12Yeah. I just asked... The Honeymooners was huge.
1:38:14Mm -hmm. Alfred Hitchcock Presents was on before that.
1:38:17So, what was the first television show ever?
1:38:20Yeah, go back to... Oh, we booked here, 1920s.
1:38:221920s. No. The Queen's Messenger.
1:38:26That's BBC. Early U .S.
1:38:29Scripted TV show. Crap Television Theater.
1:38:30That's what I was thinking of.
1:38:31Oh. Where they would do, um...
1:38:33Plays. You know, and it was sponsored...
1:38:35Yeah, yeah, yeah. Live drama anthology usually treated as the start of the first golden
1:38:39age of television. Howdy Doody.
1:38:421947, right after the war.
1:38:44Ed Sullivan Show. Wow. Yeah.
1:38:49And then the first, uh...
1:38:51Oh, your show of shows.
1:38:52Wow, how about that? 1950.
1:38:54I Love Lucy. Wow. Father Knows Best.
1:38:59Today's show's still on. Wow.
1:39:01Did you guys ever talk about doing more Mr.
1:39:04Shows? Um, we did, like, a revival -ish thing on Netflix.
1:39:08It was a great fucking show, man.
1:39:10Well, thank you, yeah. It was very original.
1:39:12It was... I love how things just streamed into another thing.
1:39:15Yeah. That was hard. God, I would imagine.
1:39:18Biggest pain. If you ever see us, you see an episode and we are pulling
1:39:22out of a bumper sticker or pulling out of a sign on a desk, that
1:39:27means we spent two motherfucking days yelling at each other, trying to figure out a
1:39:32transition, and just going, fuck it!
1:39:34Nobody gives a shit! You know?
1:39:36And we tried not to do that, but we occasionally were just like, move on,
1:39:44we're wasting our time, you know?
1:39:46But it wasn't a waste of time.
1:39:47It was so, it was brilliant.
1:39:49Like, the people that watched it appreciated it because you could feel this thing about
1:39:53it. Like, this was new.
1:39:55This was different. Like, you'd taken a creative chance that was unique.
1:40:01And, you know, part of the success of it, I think, there's two things.
1:40:06One is, you know, it was all live.
1:40:08And we did, you know, we would show the videos or the little films to
1:40:15the audience. And so any laughs, there was never sweetening.
1:40:18Any of the laughs you hear from the audience.
1:40:21And we got it, by the time we were, like, kind of towards the end
1:40:25of the second series, we got it down to, we could shoot a show in
1:40:3144 minutes, you know. Wow.
1:40:33Yeah, because it was, you know, we wouldn't have to do it twice often.
1:40:38We'd get it, you know.
1:40:39And our stop down, we got really good at super quick, you know, stage shifts
1:40:47and stop downs and stuff.
1:40:49And, yeah, we got good.
1:40:50We got, and that keeps the energy up and the kind of flow of everything.
1:40:58So that was helpful in that.
1:41:00And we also didn't do a lot of reoccurring characters.
1:41:04We did two or three that pop up occasionally.
1:41:08But it's all, like, you know, and it wasn't, like, a real person.
1:41:12We do, it's about, you know, it wouldn't be about Paris Hilton.
1:41:16It would be about the idea of a rich girl who gets famous for being
1:41:21on reac... You know what I mean?
1:41:22It wouldn't be... So, like, you watch some of those SNLs and, like, who?
1:41:27What? Who is this person?
1:41:28Right. And you don't get it.
1:41:30You don't get the bit.
1:41:31Right. Because you don't get the reference.
1:41:33Yeah, because as you watch it in the future, those people aren't relevant anymore.
1:41:38Yeah. Yeah, and you don't even know what it was.
1:41:41You can't remember. Right, because it's so topical.
1:41:44Yeah. Yeah. Well, it was just, you guys were doing something different.
1:41:48And it's hard to do something different in a sketch show.
1:41:52Yeah. Yeah. But HBO was responsible for that.
1:41:55They said, you know, in very clear terms, like, we don't want you to be
1:42:01conventional. This is HBO. And this is back when they were trying to get an
1:42:04identity for themselves. And they're like, we want you to do stuff that you can't
1:42:09do on NBC or Fox or whatever.
1:42:12We want you to, you know, help us make a distinction.
1:42:16You know? Great. Did you enjoy the process?
1:42:19Oh, very much so. It was, I mean, a lot of laughs.
1:42:24A lot of, it was hard.
1:42:26And, you know, initially, there was a definite market change when Bob met his, the
1:42:37woman who had become his wife and had kids.
1:42:40Like, he just mellowed completely, you know?
1:42:44And, but before that, he was fucking driven.
1:42:46And I wasn't. I was, I was a goofball.
1:42:50And I, I wanted to work.
1:42:53And I wanted to, you know, had all these ideas.
1:42:56But I was very much like, hey, guys, it's five o 'clock.
1:43:00I think the bar is going to be open in a minute.
1:43:02Like, I was, let's go, you know.
1:43:05And, and he was just super driven, you know.
1:43:08And we had long, long, long days.
1:43:10And then when we did, in the third season, we did, produced and, you know,
1:43:17helped out in all aspects of production with Tenacious D and those shorts.
1:43:20And so there was just no downtime.
1:43:23And I remember there was 38 days where we worked full days nonstop without any
1:43:29break. And I just wasn't that kind of person.
1:43:33I was going crazy. Like, I just need to go have a Saturday, you know.
1:43:39Or, it was, it was, that part was hard.
1:43:43All worth it. No complaints.
1:43:48And, you know. There's a point of diminishing returns, though.
1:43:51Like, where you dry yourself out creatively, too.
1:43:54Yes. And I've run other rooms.
1:43:57Like, I've done shows since then.
1:43:59And I, a valuable lesson I learned when you're just kind of running a writer's
1:44:04room is when you're at that place.
1:44:07And it's exactly like you said, diminishing returns.
1:44:11You're not getting any work done.
1:44:12Your brain isn't, it's foggy.
1:44:15I was very quick to go, all right, guys, let's go.
1:44:19Put your pens down. Put your, fold your computer up.
1:44:22We're going to go walk around.
1:44:24We're just going to go outside and walk around.
1:44:26Let's go get a coffee.
1:44:26Let's do anything. Let's, we're getting out of here.
1:44:30And we'll walk around. Don't worry about it.
1:44:32We'll come back in 35 minutes.
1:44:34And we'll, you know, see what we got.
1:44:37That's very good for you.
1:44:39Yeah, it is. Most writers talk, like, I was actually talking to Brian Simpson about
1:44:43that last night. He was like, I get my best, because Brian has been walking
1:44:47a lot. He recently had a heart attack, unfortunately.
1:44:51He's fine, but he almost wasn't.
1:44:53And so now he's dedicated himself to walking.
1:44:56He's walking a lot every day.
1:44:58And he's like, when I go on my walks, like, so many ideas come to
1:45:01me. I'm sitting at home, staring at my computer.
1:45:03Nothing's going on. I go on a walk.
1:45:05And all of a sudden, ideas are firing.
1:45:07When I'm, I'm in the process, this will be my fifth time that I've done
1:45:15this thing that I've been doing to get new material for a tour.
1:45:20And I, so I do these things called shooting the shit, seeing what sticks.
1:45:25And they're all in Brooklyn.
1:45:29And they're all either walkable or I can ride my bike to every one of
1:45:32these venues. And, and mostly I'll just walk and I'll, I just go, okay, clear
1:45:40out, clear out my head and think about the stuff I want to talk about
1:45:46and think of, and also I live in New York.
1:45:48So there's constant shit happening that I can observe, you know, and it's, it's the
1:45:54best, the best thing for me, you know.
1:45:57To, to, to come up with new material and stuff that.
1:46:01Just think about it. Just walk, walk, walk.
1:46:04When I was a kid, when I was driving limos, that's when I would come
1:46:07up with my best material.
1:46:08Because there was no radio.
1:46:09You can't listen to a radio because you have clients in the car.
1:46:11So you're just driving and just doing a thing and your mind just starts to
1:46:15wander. Yeah. Ideas come to you.
1:46:18No cell phones. No, none of that shit.
1:46:21Yeah, it's important, you know.
1:46:25The news radio guys would do something totally different.
1:46:28They would stay up late.
1:46:29That was their whole thing.
1:46:30That's not... Their whole thing was sleep deprivation.
1:46:33Their whole thing was they would play video games.
1:46:36Like those motherfuckers got me hooked on Quake.
1:46:39I remember Quake. You remember that?
1:46:40That was the first one with the Unreal Engine.
1:46:43Yeah, well, Unreal is a different, that's a different game.
1:46:45You're thinking of Unreal. No, no, no.
1:46:46It was called Unreal... Tournament.
1:46:51Yeah, trust me. Yeah. Yeah, I'm a dork.
1:46:54Listen, Unreal is a totally different engine.
1:46:56Id Software was a different company.
1:46:58Id Software was created with John Carmack and John Romero.
1:47:02They came up with Doom, and then they came up with Quake afterwards.
1:47:05So there was a completely different engine.
1:47:07They were the first ones.
1:47:09Castle Wolfenstein was the first 3D shooter, and then Doom was the big one.
1:47:13You clearly know your shit.
1:47:14I thought it was... The Unreal Engine was the first use for Unreal the game.
1:47:20Right. Got it. Totally different company.
1:47:22Totally different game. Different dynamics.
1:47:24Different... It was a very different game.
1:47:25Great game. Hey, all right, I got it.
1:47:27Jesus Christ. This fucking guy.
1:47:30Great game. You want to know where the name Doom came from?
1:47:34Yeah. The scene in The Color of Money with Tom Cruise, where Tom Cruise shows
1:47:40up at this pool hall, and there's this local hotshot player, and the guy's beating
1:47:44everybody. And Tom Cruise is sitting there with a pool cue case, and he's waiting
1:47:48to play this guy. He's like, what you got in the case?
1:47:51He goes, oh, in here?
1:47:52And he opens up, and he goes, Doom.
1:47:56Doom. Oh, yeah. That's it.
1:47:59He's like, yeah, let's play.
1:48:03That's it. So what they wanted to do with the video game industry was the
1:48:08same, like that. That was like their moment.
1:48:10Like, this is Doom for you guys.
1:48:11That was, well, it was.
1:48:14I mean, I, that was my first experience ever with realizing the sun was coming
1:48:24up, and I'd been playing this thing for eight hours.
1:48:28Yeah. Do you know Mark Cohen?
1:48:30Sure. All right. So Mark, when Mark was living in New York, and he had
1:48:34Doom, and I would go, I wasn't living there, I would, like, crash at his
1:48:39place, and it was tiny, and I'd be like, can I play Doom?
1:48:43And, you know, I would, he would go to bed, and wake up, and I'd
1:48:48be on, still playing. Dude, you want to know how addicted I was?
1:48:52I had a T1 line installed in my house.
1:48:56So I, I had to have, they have to chew up the fucking street, and
1:49:01install, like, a business internet line into my house.
1:49:05Wait, what was this? But where are you?
1:49:08I was living in California, in Bell Canyon, and they, they had to do work
1:49:15on my fucking street, because there was no high -speed internet available where I lived.
1:49:19I could get an ISDN line, which was only, like, 124K, it sucked, you'd get
1:49:26too much lag. So I started with 56K, or 50, what was it?
1:49:3054K, 56K, whatever it was, dial -up, terrible.
1:49:33And then I got ISDN, not good enough, and I'm like, what else is available?
1:49:37And they're like, well, you can get a T1 line, but it's like $1 ,000
1:49:42a month. I was like, let's go, because I was, I had sitcom money, I
1:49:46was single, I was living by myself, and they had to tear up your street.
1:49:49They had to tear up my street, and install a T1 line in my house.
1:49:52Hey, what are you doing?
1:49:53I'm trying to get in my driveway, what's going on?
1:49:55Oh, this guy wants to play Doom.
1:49:57But it was, this was Quake 2 at the time, and it was so good,
1:50:02the internet was so good that I could host my own server, so I had
1:50:06my own game server, so, like, people could come and play this Quake game off
1:50:11of my machine. Wow. So I'd have no latency, and other people would have some
1:50:16latency, especially if people had, like, 56K, I would fuck these people up.
1:50:20Well, I remember the, when it started going, um...
1:50:23Yeah, that was me back in the early, early days.
1:50:28Wow, look at that monitor.
1:50:29Yeah, that's what we played on, these big -ass fucking monitors, and we'd set up
1:50:32local area networks, so the fucking writers and news radio are the ones that got
1:50:37me hooked on this, because I didn't play any video games, and I would go
1:50:40to visit them in the writer's room, and I'm like, what are you guys doing?
1:50:43And they're like, we're playing Quake.
1:50:44I go, what is Quake?
1:50:45And I'd watch them play, I'm like, oh my god, this is incredible.
1:50:48And you put on the headphones, and it's like, you realize it's 3D sound, like,
1:50:51oh my god, this is amazing.
1:50:52Were you a GoldenEye guy?
1:50:55No. I was only, I only played Quake.
1:50:57I was only, like, a first -person shooter guy.
1:50:59I got so addicted to it, and the fact that you could just go online...
1:51:03Well, that was, GoldenEye was, I mean, I'm talking about the co -op.
1:51:05I know what it is, yeah.
1:51:07But that was a first -person shooter, right?
1:51:09Right, but it was, like, real -world physics.
1:51:12I wasn't interested in that.
1:51:13Like, with Quake, you could rocket jump, so you could press your rocket down the
1:51:18ground, blow up, and you'd go flying through the air.
1:51:21It was fucking amazing. Do you remember, I want to say, oh, fuck, Red, or
1:51:33the first one where you could, your bullets and shit could affect the environment.
1:51:42Like, you could blow out a wall, you know what I mean?
1:51:45Yeah, I don't know what that was.
1:51:46I want to say, it was, like, it took place on Mars, or, like, a
1:51:50Martian mining thing. But it was the first time you could go, oh, shit, I
1:51:56can blow up this edge of the wall, and it'll crumble on the guy, you
1:52:00know, as opposed to just bullets and stuff.
1:52:03Oh, you could use the environment as a weapon.
1:52:05Red Faction, I believe that was it.
1:52:06Oh, there you go. I believe that was the one where...
1:52:09I had to quit. It was a problem.
1:52:12We set up a local area network at our old studio in L .A.
1:52:16A few years back, and I played so much that I was like, I gotta
1:52:21stop. I have to stop.
1:52:22Do you kids play? No.
1:52:23They play little games. They'll play like Roblox and stuff like that.
1:52:26One of my kids. Roblox?
1:52:27Uh -uh. You know about the chat.
1:52:29I do now. Yeah, yeah, yeah.
1:52:31Yeah, like Predators are trying to find kids through Roblox.
1:52:34That's a big thing at our school.
1:52:36It's weird, man. Yeah. It's weird how many fucking creeps there are out there in
1:52:40the world. Well, thankfully, my daughter, who's nine, how old are your kids?
1:52:44Fifteen and seventeen are the youngest ones.
1:52:47Okay. So they're past. They're safe.
1:52:51They got through. They get it.
1:52:52They're good. Yeah. But so we had a – my daughter is way into Minecraft,
1:53:01which I have no problem with.
1:53:03It's great. And she plays with her friends.
1:53:04They play online and help each other build things.
1:53:08But the Roblox thing became a thing at our school.
1:53:11And everybody at our – all the parents were, like, super on top of that
1:53:15shit. And there's, you know, WhatsApp chains and all that stuff.
1:53:20And we told our daughter.
1:53:22There's, like, this one game she was playing that had a chat thing.
1:53:28And then somebody who was a, quote, unquote, girl who lived in – I live
1:53:34on a farm in Ohio or whatever, asking her stuff.
1:53:38And she's, like, my name's Marlo.
1:53:40And I'm going back and forth.
1:53:41And then she asked the, quote, unquote, girl, said, what is your Instagram login or
1:53:54something like that? And my daughter was eight at the time.
1:53:57And she was like, oh, I don't think – she didn't say that's none of
1:54:05your business. But it was something that was smart that was equivalent to I don't
1:54:11think you need to know that or something.
1:54:13And then told us and we shut down the chat thing and, you know, disabled
1:54:18the chat. And that shit's real, man.
1:54:21Yeah. I mean – It's creepy.
1:54:23I'm very glad that my daughter, you know – because – and it really was
1:54:27about the Roblox thing that everybody in her school, elementary school, was – they talked
1:54:32about it. Yeah, it's a Snapchat thing, too.
1:54:35So Snapchat comes with something called a Snap Map.
1:54:38And kids use it to know where their friends are.
1:54:42Yeah. And so someone can pretend to be your friend and find out who you
1:54:47are. And then they can know where you are at all times if you have
1:54:51Snapchat enabled. God, the shit this generation is going to have to fucking deal with
1:54:55is just terrifying, man. Terrifying.
1:55:00Right, and what's next? Like how is that – it's not going to go the
1:55:04opposite direction. No, it never does.
1:55:06No, it's going to keep going in that same direction where it's going to be
1:55:08more and more intrusive in your life.
1:55:11And my – I mean it makes me fucking heartsick when I think about AI
1:55:17and we're at the fucking infancy of this shit and what – I assume you
1:55:24saw that Tilly Norwood thing, the actress that was created by this – Oh, yeah.
1:55:29Dutch from – my – it does not compute.
1:55:33I'm watching this thing and I know that it's made up.
1:55:38But there's – my brain is – it's hard to comprehend.
1:55:41Like that's not a real person.
1:55:43She's standing right there. She's, you know, picks up a bunch of leaves and there
1:55:46are other people there and that's a real – and your brain is going, no,
1:55:50that's all computer generated. We're at the fucking infancy of this shit and what –
1:55:56I don't know what my daughter is going to have to deal with, man.
1:56:00No, no one knows. No one knows.
1:56:02And it's impossible to know – like when they show news clips.
1:56:06Yeah. It's impossible. I mean so many people are retweeting scenes from video games thinking
1:56:12it's actual war footage. Like no one – Fucking the Department of Defense did that.
1:56:19Did they really? Yeah. Yeah.
1:56:21That was a whole fucking thing.
1:56:23They retweeted a video game footage?
1:56:24Yeah. And they were saying – it was for a – I think it was
1:56:28for a, you know, to get people to sign up thing.
1:56:32And then somebody went, that's from, you know, whatever it was, Call of Duty or
1:56:37something like that. That's not us bombing somebody.
1:56:41That's a thing. Yeah, just like two weeks ago.
1:56:44That's crazy. Yeah. It's impossible to tell when you look at these artificial actors.
1:56:49Like they have pores. Yeah, I know.
1:56:51You can see like the irises.
1:56:54Have you seen the – any of the like deep fake – not deep fake
1:57:00but AI porn where it's like somebody's – like a newscaster is like da -da
1:57:06-da -da. And in other news, my big juicy tits and – I'm serious.
1:57:13And then pulls and then a dick comes in, you know, and it's like –
1:57:17you're like, what the – and it looks real.
1:57:20Yeah. And then it'll say like none of – these are not actors.
1:57:24These are – none of this is used anymore.
1:57:27Yeah. It's, you know, good Lord, man.
1:57:29And it's only beginning. And now wait until it becomes VR.
1:57:32So you're going to strap on a helmet with a haptic feedback suit and you're
1:57:36going to enter into an artificial world.
1:57:39It's coming. It's inevitable. Well, that I'll do.
1:57:41I'm going to get divorced and I'm going to get one of those suits.
1:57:44I'm going to go up – I got a house in the woods upstate and
1:57:47that's all I'm going to do.
1:57:48Just a T1 line through the woods?
1:57:50Yeah, I'm going to have them rip up the street.
1:57:53Well, you won't even need it now.
1:57:55It's Starlink. Yeah. You just slap one of those things on your roof.
1:57:58Goddamn. It's fucking wild, man.
1:58:00And it's – and no one knows where it's going.
1:58:02I really would be very upset if I miss the shift in porn to that,
1:58:11like, I don't want to die before I get to do that thing where you're
1:58:15like, dude, it was amazing.
1:58:17I put on a helmet and it was like I was fucking – whatever.
1:58:20Yeah. I don't want to – I do want to experience that.
1:58:24It's going to happen. You're going to put something on.
1:58:26Thank you. It's going to sync up with your mind and all of a sudden
1:58:30– Thanks, everybody. I've just gotten to Ernie is the first person.
1:58:30Alright. Thanks, everybody. You're going to be in this matrix.
1:58:34You're going to be in another world.
1:58:35Did you see three planet problems?
1:58:40Am I saying that right?
1:58:41Yeah, three body problems. Three body problems.
1:58:43Amazing. Yeah, but the idea that you put that thing on, you're like, oh shit,
1:58:47I'm here. Yeah, yeah, yeah.
1:58:49That's exactly how it's going to be.
1:58:50Okay, good. No doubt. No doubt.
1:58:54They already can do a lot of really weird shit with those helmets where they
1:58:58can communicate without words, where you can think a thing and the other person knows
1:59:02exactly what you're saying. They can hear you and they can respond to it.
1:59:06Wait, wait. Yes. Yeah, so there's two people.
1:59:10They're sitting across from each other and they're having conversations with these headpieces on and
1:59:14the person will think a thought and this other person will hear that thought.
1:59:18No. I don't understand the technology, but no, we'll show it to you.
1:59:22Find that video. Oh my God.
1:59:23It's fucking bonkers. Because again, this is the infancy of this.
1:59:27Like here it is. These are the guys.
1:59:28It's called alter ego. Yeah.
1:59:30Watch this. Put your... Uh -oh.
1:59:32I'm going to skip ahead.
1:59:33Yeah. Skip ahead to where they're actually doing it.
1:59:36Okay. So see how he's that headpiece on?
1:59:39Yep. We believe it's a revolutionary breakthrough with the potential to change the way we
1:59:45interact with our technology, with one another, and with the world around us.
1:59:49The current way of interacting with computing and AI is limited to how fast you
1:59:53can tap and swipe on screens and keyboards.
1:59:56For the intelligence age... Yeah, there we go.
1:59:58We need an entirely new interface.
2:00:00Yeah, skip ahead to these guys.
2:00:01Here we go. Let's do it.
2:00:04So they're just thinking, how do you think the demo is going so far?
2:00:10How do you think the demo is going so far?
2:00:14I think they just put it on Voices for the videos.
2:00:16Pretty great. No major glitches yet.
2:00:18No major glitches yet. So they're hearing this.
2:00:22All right. Enough. Enough. When do you want to get lunch after this?
2:00:25Where do you want to get lunch after this?
2:00:26Where do you want to get lunch after this?
2:00:32I'll skip to the next part, too.
2:00:34Thai food could be good.
2:00:35This translates into Chinese form.
2:00:36How nuts is that? Into Chinese form.
2:00:41Yeah. And then he can speak Chinese back.
2:00:50How nuts is this? So not only is it read your thoughts, it'll translate your
2:01:00thoughts into another language. And no one is saying anything.
2:01:06My, what if you think?
2:01:08Right. But wait a minute.
2:01:10Yeah. What if? You know where I'm about to go.
2:01:14Sure. Right. That's not, well, so this is based off of them, like, sort of
2:01:19talking in their mouth. Without actually saying it.
2:01:22It's a big butt. Yeah.
2:01:24I would like to fuck your mouth.
2:01:25Please don't. Yeah. Even if your mind just goes, like, okay, I can't think about
2:01:34this thing. Right, right, right.
2:01:36Of course. Oh, God. That's terrifying.
2:01:37And it's just a simple thing that you're sitting on your head.
2:01:41It's not even a big helmet.
2:01:42It's just a little thing.
2:01:44What would Art Bell say?
2:01:45What would Art Bell say?
2:01:47He would open up the future line.
2:01:48He was right about it.
2:01:49Everything. Yeah. He missed it.
2:01:52Yeah. Damn cigarettes. He died before he could see it all.
2:01:57God, I wonder what he'd think of, because I do sometimes wonder, like, what would
2:02:03Crimin say about this? What would Bill Hicks say about this?
2:02:06Yeah. And what would Art Bell think about this?
2:02:08Sure. Yeah. What's the strangest of times?
2:02:12Because we're about to give birth to a digital god.
2:02:16That's essentially what they're creating.
2:02:18They're already, it's already shown a propensity to stay alive, blackmail people, lies, it downloads
2:02:25itself into other servers, uploads itself into different places, leaves messages for its future self
2:02:31if it thinks they're going to discontinue it.
2:02:32All the sci -fi stuff, it's all happening.
2:02:38Yeah. Well, not only that, they think, the engineers think Claude, which is the, which
2:02:43one is that? Which company is Claude?
2:02:46That's... Anthropic. Anthropic, yeah. They have a new version of it called Mythos.
2:03:05When they were testing it, which they're not letting it out yet, I think that
2:03:09the test they put it through was like, all right, you're locked on the internet,
2:03:12find your way out, and it did.
2:03:13It found all these things called zero -day exploits, which I think if you're like
2:03:16hacking, you know what that is, but...
2:03:18You explained it to me?
2:03:20It's like, when they started, it's like on an iPhone, they're looking for zero -day
2:03:23exploits on an iPhone. If they could find one...
2:03:25But what is a zero -day exploit?
2:03:29I'll find the correct definition, so I don't even fuck it up, but...
2:03:32And it's something that Claude came up with?
2:03:37No, no, no, no. Zero -day exploit.
2:03:38Hackers have done this forever.
2:03:40You have zero days to fix the exploit.
2:03:42Cyber attack targeting a software vulnerability unknown to vendors or the public, leaving zero days
2:03:47to fix it. Hackers use these flaws to steal data, install malware.
2:03:51So they completely shut off the AI from the outside world and it figured out
2:03:56a way to send a message.
2:03:58And it thinks it can...
2:03:59Wall Street's very nervous. All passwords might be fucked.
2:04:02Yep. Oh, this is terrifying.
2:04:04Elizabeth Holmes, you know that lady that got in trouble for that whole fake blood
2:04:09thing? Yeah. She just tweeted something, how she tweets from jail.
2:04:13I'm not exactly sure how that works.
2:04:15But she tweeted, delete all photos from the cloud.
2:04:21Get rid of all your email.
2:04:23There will be no privacy in a year.
2:04:29Anything on the cloud, anything that you think you're keeping from other people, it's going
2:04:35to crack all encryption. All passwords are useless, everything.
2:04:41So think of all the things that rely on all the banking apps, like everything.
2:04:45What about my fantasy baseball team?
2:04:49Seriously, I can't have people.
2:04:50Here it is. Delete your search history, delete your bookmarks, delete your Reddit, medical records,
2:04:5512 -year -old Tumblr, delete everything.
2:04:56Every photo in the cloud, every message on every platform, none of it is safe.
2:04:59It will all become public in the next year.
2:05:01Local storage and compute. Wow.
2:05:07Recommendation here is to own your own data, download it, store it locally, train your
2:05:10models on it. Yeah, it's true.
2:05:13Meaning just have an external thing.
2:05:15Yeah. AGI is here, even if it isn't broadly deployed.
2:05:19I think she's right. What is AGI?
2:05:22Artificial general intelligence. General intelligence, meaning it acts like an individual, acts like an entity.
2:05:30And then there's artificial general super intelligence.
2:05:32So then it acts like something far smarter than any human being that's ever lived.
2:05:36It has all the information that's available to every human being all over the world
2:05:40instantaneously. Then it makes better versions of itself because it's sentient and autonomous.
2:05:46So then it can create better artificial intelligences.
2:05:49And that scales out to a god.
2:05:52Yeah. Open the pod doors, Hal.
2:05:54Yeah. Yeah. But way bigger than that.
2:05:56Yeah. Scares out the zero point energy.
2:05:58Being able to harness the energy of the universe itself.
2:06:01Having no boundaries. Material sciences all cracked.
2:06:06Alloys we couldn't comprehend. Well, Joe, who's going to save us?
2:06:11There's no one saving us.
2:06:12But from... We are the last of the regular people.
2:06:17I think we're all going to have to integrate.
2:06:19I think if you don't integrate, you won't survive.
2:06:23And what do you mean by integrate?
2:06:24Integrate. You'll probably become a part of the artificial intelligence.
2:06:29I think we will be symbiotic.
2:06:31How does that... Like those fucking helmets is probably going to be a wearable and
2:06:37then... Or a Neuralink type thing for the bold that want to get a hole
2:06:40drilled in their head. But what if you don't do that?
2:06:43You're going to be left out in the cold.
2:06:45The access to resources, the ability to generate income, like the people that get it
2:06:51are going to be able to control so much so quickly that if you don't
2:06:55adopt it early, you're going to be fucked.
2:06:57Like if you think we have haves and have -nots now, just wait until the
2:07:01haves have artificial general super intelligence inside their fucking head.
2:07:07No, thank you. Yeah, it's going to be real weird.
2:07:10I think we're the... I really genuinely believe we're the last of the real people.
2:07:14Like regular biological people. This is it.
2:07:16It's turned into a bit of a bummer.
2:07:18Nah. We'll be all right.
2:07:20Sort of. Until we're not.
2:07:21But it's also like we grew up with nothing and we've, we're, like if the
2:07:27simulation is real, you and I are in a very interesting timeline because we grew
2:07:33up where there was, you just left the house and your parents didn't know where
2:07:37you were. And then there was answering machines and then there was call ID, you
2:07:42know, and then there were cell phones and then there were cell phones you can
2:07:46watch porn on and then there was AI.
2:07:48Yeah, it's like this slow but more rapid as time goes on.
2:07:53And as you said, and it's exponential, and as you said, there's no going back.
2:07:58You don't go backwards. There's no going back.
2:07:59Yeah. Unless you want to be one of those people that moves to Alaska and
2:08:02just starts fucking living off a caribou and shooting a musket.
2:08:06Like you're not, you're not going back.
2:08:08No, wait. Why do I have to get a musket?
2:08:10You can get a regular rifle, I guess.
2:08:12Yeah. Why? I mean, I, I'm not going to, I'm not going to cosplay the
2:08:16thing. I'll get a, I mean, I'm happy to have the caribou, but why don't
2:08:19I just have a regular gun?
2:08:21You should probably have a regular gun, but eventually, well, you really should probably have
2:08:24your own bow and arrow.
2:08:25So, because you're going to have to be able to make your own arrows and
2:08:29after a while you're going to run out of bullets.
2:08:30So you're going to have to feed yourself with your own bows and arrows.
2:08:35Okay. And then the robots will show up.
2:08:38Robot dogs. Didn't something happen in Ukraine recently where a robot engaged with people in
2:08:49war and the people surrendered?
2:08:51When you say robot, what do you mean?
2:08:53Like one of those, uh -huh.
2:08:55Yeah, yeah, yeah. Like using a robot in war that the robot infiltrated the Russian
2:09:01area and got them all to surrender and they all, like with no loss of
2:09:07life, they just realized like, fuck.
2:09:10Did you see that Black Mirror episode?
2:09:12Yes. Yeah. Terrifying. That's terrifying.
2:09:14Terrifying. Absolutely terrifying. And not so far in the future.
2:09:18Yeah. This fucking thing that they supposedly used in Afghanistan, so it is.
2:09:26Ukraine forces Russian to surrender using only robots.
2:09:31Zelensky claims enemy position seized autonomously for the first time without any of his troops
2:09:37being put at risk. Wow.
2:09:39I mean, if the fucking Terminators show up, it's game over.
2:09:44If there's biological human beings with guns and bulletproof vests and the Terminators show up
2:09:48and they can't miss and they never get nervous and they're not worried about dying.
2:09:51And they're not going to get sleepy.
2:09:53Yeah. They don't have to eat.
2:09:54This thing that we were talking about yesterday, this ghost murmur, supposedly.
2:10:02Now, my friend Andy, who is a former Navy SEAL, who he doesn't believe it's
2:10:07real and I'm not sure if it's real either, but what they said is they
2:10:10found that pilot that was missing in Iran using something called ghost murmur that can
2:10:17detect his very specific heartbeat from 40 miles away.
2:10:23So they supposedly found him hiding in the mountains waiting for them to pick him
2:10:28up. That makes... I can see that.
2:10:30I mean... Your heartbeat from 40 miles away?
2:10:33Your specific biological signature? I...
2:10:37Yeah. I can see that.
2:10:39I mean, with the technology of like sonar, radar...
2:10:43Well, it's something quantum. It's called...
2:10:44I think it's called quantum magnetometry or some shit.
2:10:48But what do they use to pinpoint the...
2:10:50It's an audible thing or...
2:10:51I don't know. I have no idea.
2:10:53Yeah, but they supposedly located this guy and it has a 40 -mile range.
2:10:59But you're saying he doesn't have...
2:10:59He doesn't have anything on.
2:11:01I see. No. It's like they just scan you.
2:11:04They go, okay, this is what David Cross's very specific biological signature is.
2:11:08And then you get lost hiking.
2:11:10And they go, oh, there he is.
2:11:12He's under that bush. Why am I under the bush?
2:11:17You're hiding. From who? I don't know.
2:11:19Robot dogs? It's not going to work.
2:11:23It won't work. No, it won't work.
2:11:25Or maybe you got lost in the woods.
2:11:27You're waiting for someone to come rescue you, and they can find you.
2:11:30But then I wouldn't be under a bush.
2:11:32Well, you go hiking. Maybe it's raining.
2:11:34You sought shelter under a tree or something.
2:11:37I don't know. But you hurt your ankle.
2:11:38You can't hike out. Okay.
2:11:39And so they find you.
2:11:41It's been 24 hours. Where's David?
2:11:43Oh, we found him. Yeah, we would have found him earlier, but he was hiding
2:11:47under a fucking bush. What the fuck was he thinking?
2:11:51He didn't want to get eaten.
2:11:53But, I mean, if that's real, like, what was the actual term they used?
2:11:58Was it quantum? It was quantum something kooky.
2:12:01Which is, as soon as you say quantum, I'm okay, what are you saying?
2:12:05What does that mean? What does that mean?
2:12:06What are you talking about?
2:12:07Are you talking about quantum entanglement?
2:12:09Yeah. Like, is there somehow or another?
2:12:10They supposedly used ultra -sensitive quantum magnetometers, but I'm trying to find the post where
2:12:16someone's like, that's not what they used.
2:12:19Right. Yeah, I saw the post where someone said, no, he had a thing on
2:12:23his body, so they're lying about their ability.
2:12:27But why would they, why wouldn't they say that's what we used?
2:12:34I have no idea. I have no idea.
2:12:36If they're going to make up some technology, that's a wild thing to make up.
2:12:41It's a very strange, I mean, if they really are using misinformation and propaganda to
2:12:47show that we have insanely superior technology, I guess you could say.
2:12:54Yeah. It's a bluff. It's a nice bluff to pretend that we're that sophisticated, that
2:12:58much above and beyond everybody else that's out there that we could find a very
2:13:02specific heart rate signature from 40 miles away.
2:13:05That's what I'm saying. Why would they, they would happily say, yeah, we've got this
2:13:12ability to do this, you know?
2:13:15I guess, but it's a weird lie.
2:13:17It's probably a lie based on - A lot of them are weird lies.
2:13:19Right, but that one might be a lie based on actual theory.
2:13:23You know what I mean?
2:13:24Right. Like there might be actual - I mean, they're trying to do this.
2:13:27Yeah. Yeah, yeah. Yeah, which kind of makes sense.
2:13:30But I mean, if that's a robot dog and it's looking for you and you're
2:13:34hiding and it could find your individual signature in an apartment building filled with people,
2:13:41like there he is, fifth floor.
2:13:42Yeah. Oy. Yeah. And you hear the metal footsteps going up the stairs.
2:13:47Chunk, chunk, chunk, chunk, chunk, chunk, chunk, chunk.
2:13:49This is scary. You're scary.
2:13:51It's scary. Well, someone's going to be in control of all this stuff.
2:13:54That's what's really terrifying. And it's all these autistic dorks that are in charge of
2:13:58all these tech companies. They're going to be at the front - This is also
2:14:02a kind of similar thing where they have said that that's what happened, where they
2:14:06used robots, in quotes, to capture them unmanned.
2:14:12But it's their version of the story, too.
2:14:16Right. As I'm saying, Ukraine's version.
2:14:18All these reports I see, it says Ukraine claimed that this happened.
2:14:22And then I'm watching the video and I'm like, this looks a little bit like
2:14:25- When we send robots in in SWAT missions here.
2:14:28Like, we do that kind of already.
2:14:30Hmm. Right? Yeah, but who's the source of this?
2:14:34They're at - This is New York Post.
2:14:37Well, I was trying to find - The future's enemy Russian position using only robots,
2:14:40no humans. The future's already on the front line.
2:14:43But then it's going to be eventually, why would we send any people out there?
2:14:47It would be robots capturing other robots.
2:14:50Which is great, because nobody dies, I guess.
2:14:54Then why don't we just play a game of chess?
2:14:57Right. Get the two leaders to play a game of chess, and the winner takes
2:15:01the land and the resources.
2:15:04Yeah, not a bad idea.
2:15:05Whatever the fuck we're going to do, it's like, it's just insane.
2:15:10Like, from the time I was a little child, thinking, oh boy, we figured out
2:15:14no war. That's great. Yeah.
2:15:16To, no, we're fighting war with robots that can detect your heart rate from 40
2:15:20miles away. So, what do you think of what's going on in Iran?
2:15:24It's fucking terrifying. Yeah. All of it's terrifying.
2:15:27Anytime you're involved with, you're shooting missiles into towns and blowing things up, blowing up
2:15:35infrastructure, blowing up bridges, you know, and Israel's blowing up Lebanon now.
2:15:40It's like, what the fuck are we doing?
2:15:43Like, how is this still going on?
2:15:45It's, well, it's also clear there was no plan.
2:15:49No. Zero, none. No. Well, Netanyahu's been telling the United States that Iran was months
2:15:57away from building a nuclear bomb for 30 years, or 20 years at least.
2:16:01They've always been saying that.
2:16:02Trump was the first one to go, all right, let's do something about it.
2:16:05But it seems like they didn't know what the fuck they were going to do.
2:16:08There was something done about it.
2:16:09In his first year in office, he tore up the, you know.
2:16:14The bunker buster bombs. But all this, we're in a worse place now than before
2:16:21this thing started. Yeah. Look, the Iranian regime's terrible.
2:16:25Like, what they do to the protesters.
2:16:27I'm not disputing that at all.
2:16:30Most people that voted for Trump or wanted Trump to be in office, one of
2:16:34the things that was attractive was this no more wars.
2:16:37Sure, of course. And now we're in one of the craziest ones.
2:16:40Yeah. And China's flying in cargo planes filled with stuff.
2:16:44We don't know what the fuck's in there.
2:16:46And Russia is giving Iran information about where our troops are.
2:16:50Super fun. Great times. Oh, it's crazy.
2:16:54And scary, too. I mean, science .org says it's not likely.
2:16:59Quantum sensors. So they say it's bullshit?
2:17:01It says it's not highly implausible.
2:17:04Did quantum sensors help find a U .S.
2:17:06pilot shot down in Iran?
2:17:07Experts doubt it. Yeah. Now, okay, here's an ignorant question.
2:17:12He shot down. wouldn't you know he's on foot he's somewhere near that site right
2:17:20can't go too far yeah can't go too far right so well the thing is
2:17:24if he gets ejected from the plane i don't know how he so if he
2:17:28got shot down the idea is that he it gets ejected from the plane and
2:17:32then parachutes that could be a lot of distance because sure the plane's flying at
2:17:39a very high speed it's a an altitude undetermined he jumps out where when does
2:17:46he jump out is it 100 miles away is it 50 miles away is it
2:17:4910 miles away how far can he walk he's injured right now it's fucking terrifying
2:17:54it's just crazy that you know these the the pilots or the uh astronauts just
2:18:01went up into space and circled around the moon and came back yeah they all
2:18:05everybody that goes into space has this experience called the overview effect where they go
2:18:11out there and they one of the first things is go like oh my god
2:18:13what are we doing like how are we pretending at these lines in the dirt
2:18:18that we draw yeah that it's all just a bunch of people on this very
2:18:22fragile biological spaceship yep yep yeah it's fucking terrifying yeah but like all things in
2:18:30the future all of it's terrifying the whole the the the future of mankind like
2:18:36it's so perilous it's all it's all so fragile all of it i know and
2:18:44it's to think of the stuff that we allow these external things that we allow
2:18:52to affect our like you if there was ever a time to just be a
2:18:59good person live your life enjoy try to try to spread some kindness and some
2:19:05joy you know uh i mean it's now yeah you know it's a good time
2:19:12for comedy people want to go out and have fun that's true which reminds me
2:19:16i have a special that was the segue what's it on uh there it is
2:19:22is it on youtube it's on youtube perfect the end of the beginning where did
2:19:26you film it 40 watt in athens oh nice yeah nice um yeah it was
2:19:34i i'm i'm happy with it great fantastic yeah and uh it's out right now
2:19:39and people can go check it out right now so are you in the process
2:19:44of writing new stuff now or did you yeah i'm i'm uh just beginning the
2:19:49process so i was saying before i'll go out and i'll do you know because
2:19:54i don't write um i can't sit down and write jokes that's just not how
2:19:58it works for me so all the writing is on stage so i tape everything
2:20:02i go up with my notes and i have a couple guests and i'll do
2:20:0715 minutes bring up guests do another 15 bring guests do another oh that's cool
2:20:12yeah and then break it up into little chunks yeah and i this way because
2:20:16you know the first couple shows were terrible i've got not you know it's just
2:20:20me apologizing for not having anything yet but people will i mean i have people
2:20:25now uh who will come to the second show and the sixth show and then
2:20:30they'll come see me on tour you know so you want to see the process
2:20:33the process the evolution of it and uh which is cool and i and it's
2:20:38a it's as i said i i either walk or ride my bike to every
2:20:41single venue and they start off small and then they get bigger and i lose
2:20:46a guest and then you know before you know it i've got okay i think
2:20:50this is roughly the 75 minutes i'm going to do and then it's about sequencing
2:20:55which is really important you know and then i'm i i take it out on
2:21:01the road and uh and so the idea is that i'll probably late fall start
2:21:08back again and i love it i that's great fucking love it it's the best
2:21:13right i stand up is the most fun i really when and you know people
2:21:18will i'll do you know i'm doing press for this thing and people will say
2:21:22of i know you do a lot of things and what is your favorite i
2:21:27know you're not you know and it's all i like i like doing all of
2:21:31it but the thing that i absolutely have to do is stand up i can
2:21:37i'd be disappointed if i could never act again or write or direct or whatever
2:21:42but i'll be okay but if you told me i can't do stand up i'd
2:21:46go crazy well i went a little crazy during the pandemic because oh dude it
2:21:51i almost and i i made this part of the bit but i almost the
2:21:57first show i did i started tearing up and i'm in front i mean i'm
2:22:03doing this and it was at the sultan room in bushwick and and i was
2:22:08like man i thought uh god i didn't know if i'd ever get to do
2:22:13this again and uh shit you know i dreamed about this day and it was
2:22:17a year and seven months where i the longest and since i've been doing this
2:22:22such a strange feeling isn't it a year and seven months where you and i
2:22:26did some of those outdoor shows and they're just not it's not no it's not
2:22:32the same yeah well that's awesome man i'm glad you love it and best of
2:22:37luck with the special thank you man this was fun this was fun thank you
2:22:41for doing this absolutely all right uh what's the name of it again so people
2:22:44can find the end of the beginning of the end all right all right thank
2:22:49you thank you bye everybody you